A warm welcome to all friends visiting the site with a loving invitation to read my personal expressions on movies, music, poetry and life.

Music and Movies are like Ears and Eyes to me and if you also feel the same, then you are going to enjoy every moment spent on my works here, for sure.

Do send in your valuable comments and suggestions as they would be my guide for all the future works.


ANAARKALI OF AARAH - You praised Amitabh teaching the meaning of a woman's NO in the court, now praise Swara doing the same in a differently authentic manner. (Review By Bobby Sing).

PHILLAURI - It's a confusingly conceived Punjabi film made in Hindi, based on an interesting but inspired idea with the only merit being its emotional climax. (Review By Bobby Sing).

TRAPPED - Post an unconvincing start, it fairly keeps you engaged as a praise-worthy off-beat attempt featuring an impressive solo act and some notable merits. (Review By Bobby Sing).

This Friday's One Line Reviews by Bobby Sing for making your weekend movie plans..

KONG SKULL ISLAND (English) - Though lacks an emotional pull and the original charm, it's still an incredibly made entertaining comic-book adventure to be experienced in a well-equipped theater. (Review by Bobby Sing).

BADRINATH KI DULHANIA - A unique case of the makers returning with the same lead pair, a similar title, identical looks and the same old premise of a wedding, mocking at the viewers patience & choice. (Review by Bobby Sing).

LION (English/2016) - An emotionally uplifting film which once again depicts INDIA in a bad light and we know the westerners do have a fascination for such dark representation of our country since decades. (Review by Bobby Sing).

ANUPAMA (1967) - Its touching emotional climax and DDLJ - By Bobby Sing.

COMMANDO 2 - Focusing on suspense instead of action, Vidyut gets no support in this poor and so casually conceived film unfortunately. (Review By Bobby Sing).

LOGAN (English/Hindi) - You will make faces, tighten your fists and do several things going through this brutal, cold blooded must watch thriller for sure. (Review by Bobby Sing).

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March 30, 2017 Thursday     
Akaash VaniDirector Luv Ranjan’s AKAASH VANI is a notable Hindi film which basically talks about the ages old questionable Indian traditions and particularly those regions of the world where women is suppressed and is majorly considered to be the weaker gender by their male counterparts. Plus it also portrays the issue of marriage and family strictly from an Indian & neighbouring nation’s point of view which is to be kept in mind before moving further, without going into any discrimination drawn between the East and the West. And the three major subjects depicted in this thoughtful film are discussed in their respective heads as below:
The subject of Arranged Marriage Vs Love Marriage quietly touched in the film.

We are presently into the second decade of the Twenty First Century but still a developing country like India hasn’t solved its tender issue between Arranged Marriage & Love Marriagewhich has been a part of our culture from centuries.Here in major parts of the country (other than the Metros and developed business centers) still the word ‘Love Marriage’ is whispered into the ears as if its something shameful or disgraceful for the entire family. And on the other hand ‘An Arranged Marriage’ is largely taken as a symbol of right education, right upbringing and obedience in the entire social structure. So despite of becoming a major world power in this jet age, we still remain confused and have not yet understood that how, when and who is supposed to search for our life partner with whom our entire remaining uncertain life of say 40 years is to be lived.

Now as depicted in the film, this whole confusion in the concept of ‘Choosing a Partner’ eventually gives rise to ‘A Blame Game’ as soon as there is some serious problem in that particular marriage of any sort leading to a divorce. At this point of time, if it is a Love Marriage then the Parents starts blaming their son or daughter that, “See it was your choice!” and in case it was an Arranged Marriage then the young ones start blaming their parents that, “See, this was the choice made by you for my life partner”.
So in one way AKAASH VANI forces us to think upon the urgent need to find that much desired BALANCE between these two concepts of marriage in our Indian society. No doubt its hugely difficult and needs a great amount of debate too to find that desirable balance. Yet in my opinion, it can only be discovered when both the parents and youngsters have an open detailed dialogue about marriage within a family mentioning their own views about the same and then taking a mutual step together for a better future.
Besides as shown in the film, in our part of the world, SILENCE opted at the most crucial points of our life in order to respect the elders and maintain the social status of the family intact, creates the major problems ahead which needs to be thought upon intelligently. And this is the BALANCE I am talking about where the younger ones duly express themselves along with respecting the elders showing their right upbringing. And on the other side, the elders too importantly need to hear and respect the viewpoint or choice of their grown-ups in their mature response. Otherwise the confusion & wide difference between the concept of “An Arranged Marriage” and “A Love Marriage” would remain a part of our society forever.
2. About the most significant part of the film i.e. MARITAL RAPE.
(What I am going to express next might be unacceptable and offensive to few. But writing about a sensitive & crucial issue like this I feel helpless in stopping myself from using some bold words and statements. So I would like to apologies in advance if the words hurt anyone’s traditional beliefs unintentionally.)
As a usual practice, I meet many friends or receive many calls on Fridays & Saturdays asking about the latest films and their storylines in routine. But this time the response surprised me a lot as a shock since I never expected this from many well educated and reputed friends of mine living a happy married life with their blessed kids from years. The shock was that when I told them all to watch AKAASH VANI this weekend which talks about MARITAL RAPE, then most of them replied with a question that “What was this Marital Rape?” The response made me silent for many moments and gave me a shivering thought that, If they all don’t even know about the term Marital Rape till now then its quite possible that they themselves may have practiced it sometime in the past unknowingly.
Discarding this scary thought, I explained the term to few and then got disturbed further looking at the expressions on their faces which revealed it all clearly. And this is the reason why I couldn’t write on this subject for 2-3 days since it was not easy for me to accept the blunt truth at my face.
So after going through that personal experience, I strongly believe that this shameless term MARITAL RAPE does strongly exists in our part of the world mainly because of following basic reasons which might be an eye-opener for many:

I) Firstly Marital Rape is there because in reality, deep inside our psyche, we still consider the female a step lower than the male gender unarguably (whether one accepts this harsh brutal truth or not.) Despite of all the educational, spiritual or worldly advancement around us we still don’t accept the concept of equality between the two genders and do believe in the superiority of the males over the females in our dark subconscious minds.
And one primary example of this sick mind-frame of ours is that in India even in the religious places or spiritual discourses, we have a divided sitting arrangement for men and women apart in a funny manner.
II) Secondly, it exists due to the questionable status of marriage in our society which is not planned according to the maturity level of an individual but is fixed hurriedly just looking at a certain age in almost all regions, religions and castes. And as I often quote, Its quite like going for your lunch not because you are ready and feeling hungry but just because the clock is saying 1pm on the wall as a fixed ritual.
In fact this remains an important reason for Marital Rape, because marriage needs a certain level of mental growth which can understand the needs and limitations of the other sex with empathy. And till that level of understating is not there, marriage should not be allowed as then it’s sure going to be a means of suffering for the women in particular and nothing else.
For instance, what would marriage mean to a young individual who has not been taught or doesn’t even know about those special days of month in the routine life cycle of a girl and the precautions needed to be taken in that particular time regarding sex and other things?
III) Thirdly and most importantly Marital Rape is a harsh reality because as per our Indian tradition of marriage, the girl is still considered as a ‘Brought Commodity” from another person’s home into our own. The identity of a girl is evidently considered to be the less important one, since its SHE who is ordered to shift from her father’s home to her husband’s and then start a new life there without asking any questions or making any demands. Moreover, it’s the girl who gets displayed in front of the boy’s family exactly like a commodity in the show-window and then its for them to decide that whether they like the product or not.

Therefore its nothing different than bringing in a new mixer-juicer in our home to make healthy juices for everyone, a machine which can be put to use anytime by only pressing a button without any hassles. And that’s exactly how a girl is used in these marriages planned in the major part of the country just looking at the growing age or to get rid of the family responsibilities without any basic understanding of the concept by the male. As a result, in such marriages the girl is simply taken as a useful commodity brought into the house to serve the whole family and to be used as a body too without any counter questioning or refusal.
A clear example of this is the meaningful name given to this Indian tradition of sending the girl to another house as KANYA DAAN which means GIRL DONATED to another. And as per the traditional ethics, things once donated don’t remain yours and can neither be returned. So now its all upto the new owner that how he wishes to use that donation as per his own understanding and you are not supposed to question that at all. Probably this is why the man considers himself as the owner of this girl for the entire life, which allows him to treat her as an easy facilitator and can use her body anytime he wants without waiting or asking for her consent.
IV) Fourthly, Marital Rape takes place because here the word Marriage is widely considered to be a synonym to the word Sex or a permanent arrangement for your sexual needs in legal social terms without any restrictions. And that’s the reason why instead of knowing more about the beautiful concept of marriage and its sanctity, the immature young ones are keener in enquiring about the ‘First Night’ (Suhag Raat) when there is going to be no stopping to them of any sort. Here it is to be noted that the term Suhag Raat in Hindi also clearly reveals the dominance of male over the female from centuries as Suhag is used for the Husband and together it means ‘The Husband’s Night’ as if the Husband is a King here going to win a game against his own life partner.
In support of the above point, I would like to mention that in India we do have Marriage Councilors to solve the issues between the couple after their marriage. But here we don’t have any such arrangements to explain the would-be couple (especially the man) before their marriage that what it actually means to get married in life. In other words here we have nobody to teach the man that the term Marriage is much more meaningful and deeper than just Sex. Plus its not at all an ownership of the male over the female as still considered or taught in the major part of the country, particularly in the remote areas.
Interestingly, almost all religious traditions in India have their own set of guidelines to be explained to the newly-wed couple by their respective priests at the time of marriage. But this practice is rarely given any importance at present and the tradition is just completed hurriedly as a mere another ritual in marriage ceremonies and nothing more than that.
V) To add more this disgusting term still exists in our modern world because from ages we have been teaching our daughters ‘The so called respectable art of SILENCE’ to be practiced in their new homes. So even if they are not happy or severely suffering there, they don’t complain and choose to remain Silent for the sake of their own family till the things go beyond their control or cross the limit of decency. And this SILENCE gives more power to the suppressor and he continues doing his mental & physical torture every day like a manly beast.

VI) The act also becomes a hidden feature of our society because again from ages we have stopped teaching our young boys/sons the essential lesson of how to respect women in life at all. This important chapter has gone missing from our family traditions from long and it desperately needs to be added again to make a better society for our own kids in the future. Personally I fail to understand the weird psyche in which a man duly finds all the respect in the world for his mother and sister but strangely cannot feel or give the deserved respect to this new women in the house who is supposed to be his life partner.
Also its quite upsetting to see that how the elder women in the house too (the husband’s mother) fails to understand the pain experienced by her new daughter-in-law despite of being a woman herself and having lived the same kind of days when she was brought in the house few decades back. May be the reason for this is that today the daughter-in-law remains a daughter-in-law only and we still find it hard to accept her as our own daughter from heart.
VII) Lastly Marital Rape is right there as a dark secret of the night existing within us because even today we have a sick attitude of considering our SOCIAL IMAGE more important than our daughter’s sufferings in the new house. And as shown in the film, the brutal truth is that even when the daughter reports such thing to her parents (particularly the mother) then at first the mother quietly tries to ignore it and sends her daughter back to the in-laws to save herself & her family from the problems ahead. In fact in only a few months, the daughter simply has no-where to go as she finds herself at the suffering end in both her homes and decides to accept her faith quite helplessly resulting in her Marital Rape being repeated night after night.
So, I am glad that after a long time here is a film AKAASH VANI, which thankfully throws the much needed light on this hidden shameful truth and does give this immensely valuable lesson to all young men of our country that,
       “Your wife is not a commodity brought in as an unconditional facilitator for your timely pleasure, but she in fact is a daughter sent to your house to make it a better home as your beloved life partner!”
To sum it up, we do need visionary directors like Luv Ranjan coming up with many more socially relevant and eye opener films such as AKAASH VANI. And if this long write-up (on the subjects featured in AV) can even change a single male mind reading it, then I would consider myself lucky and the job well done!

Tags : The three subjects in the thoughtful film AKAASH VANI, Arranged Marriage, Love Marriage and MARITAL RAPE, An Introspection by Bobby Sing, Articles on Music, Poetry and Life by Bobby Sing, Few Life Inspiring Words by Bobby Sing,
29 January 2013 / bobbysing /
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The experience of watching AKAASH VANI gave me enough to think or write upon after a long time since BOL (2011). Though the film is not a masterpiece if you analyze it in cinematic terms, but on the basis of its subject and execution it strongly makes you question our own Indian social structure and WE The People accepting it blindly to maintain our so called social image in front of the others. So as I have many random thoughts dying to get on to the paper within the set restrictions, I would like to divide this write up into three parts beginning with the review of the film and then moving on to the social themes it touches which in turn makes it a must watch for all.
The Review
Promoted as a pure romantic film with a commercial angle, AV starts off well on a lighter note with the girl Nusrat (Vaani) impressing you right away more than the boy Kartik (Akaash). The word love is written on the screen from its first frame itself and their entertaining, likable romance draws you in till the intermission. Director Luv Ranjan keeps it realistic as seen in his PYAR KA PUNCHNAMA and that’s the reason why the love story wins over the viewer reminding them of all those soft romantic films before the 90s. But the story doesn’t progress much in the first half and the twist is just revealed before the intermission.

In the second half, it surprises you with something very important & relevant, revealing an ugly truth of our society dealing with Arranged Marriage, Love Marriage and Marital Rape. Despite of its slow progression and few dragging moments the narration doesn’t lose its grip mainly due to the brilliantly written dialogues by the director Luv himself and some splendid performances by the entire cast. For instance, you can easily feel the pain when Vaani says to Akaash,
“Yahan Jab Tak Shareer Par Nishaan Na Ho……., Koi Maanta Nahin Hai!”
or when she calmly answers her father that,
“Aapke Kaaran Mujhe Kya Kya Sehna Parha Hai……, Woh Main Aapko Bata Bhi Nahin Sakti”
Further the tense moments in this better half are handled well by the cinematographer too which forces you to give your full attention to what the characters are willing to portray, keeping the interest alive throughout.
However watching a marital rape on the screen is not anything usual or amusing and thus the team surely deserves all the praises to bring up this hidden truth in a Hindi Film in such a subtle manner, which has been rarely done by others in the 100 years of Indian Cinema. In fact in the recent times I remember a film called MITTAL VS MITTAL (2010) taking up this issue as a cheap sexual gimmick to sell itself in the market and then another classic made on a related issue called MATRUBHUMI (2005) which also is a not to be missed gem without any doubt.
The shocking drama in the script gets its full support from the performers and it’s a Nusrat’s film all the way wherein the girl even reminded me of veterans such as Madhuri Dixit in her difficult scenes of emotional pain and outburst. Kartik supports her well with confidence but the subject basically revolves around Nusrat’s life and the trauma she is forced into by her own family. Along with the cute lead pair the director has very carefully chosen his supporting cast in which everyone has lived his or her role impressively especially the actors playing the couple’s friends. So we have a great emotional & important film here conceived and performed well following a decent vision.

As an essential requirement of a sensible love story, AV also has a fabulous soundtrack featuring 4 great songs with highly poetic & meaningful lyrics penned by the director Luv Ranjan himself again. Both the tracks and background score have been composed & arranged intelligently by Hitesk Sonik and I really wish the soundtrack was promoted more by the makers to reach their real listeners. The 4 worth listening songs are Ittefaq Tha Ek Mazaak Tha, Roomani, Bas Main Aur Tu and Tere Pyar Mein which have great lyrics reminding you of the famous GULZARISM loved and appreciated widely. For instance sample these few lines from one of its great songs,
"Soch Kar Main Jisko Hass Leta Hun, 
Ittefaaq Tha....., Ek Mazaaq Tha....., Tere Mera Naam!

Tere Hi Pher Mein……..Boodhe Ek Pedh Pe, Kuchh Lakeerein Kheench Di Thi
Do Din Bhi Na Rahey Un Kharonchon Ke Nishan.......!
Ittefaaq Tha....., Ek Mazaaq Tha....., Tere Mera Naam!

Hence with a fresh breezy first half and an intense thought provoking second one AKAASH VANI can easily be called an important & well made project by the multi talented Luv Ranjan who undoubtedly has got the vision to give us something different and valuable. The film needs to be shown to every youngster above 18 as a mandatory clause and then a Q & A session should be held in colleges taking up the 3 issues discussed ahead in the other section of this article. On a concluding note, we definitely need more films like this as our wake-up call and the youngsters need to watch it in the theater to encourage its visionary makers. 

Rating : 3+1 / 5 (As a film project it gets 3 with the additional 1 especially for its fabulous soundtrack)

(But as a thoughtful venture with a social vision the film is being included in my MOVIES TO SEE BEFORE YOU DIE because of the reasons discussed in the next part of the article. So you can continue reading (by clicking at the link below) if you are willing to know something more about its immense value in Indian context.)

Tags : Akaash Vani Movie Review by Bobby Sing, Akaash Vani Film Review, AV Reviewm, AV Film Review by Bobby Sing, Reviews by Bobby Sing at bobbytalkscinema.com, Bollywood Reviews By Bobby Sing, New Hindi Films Reviews By Bobby Sing at bobbytalkscinema.com, Bollywood Movies Reviews at bobbytalkscinema.com, Bobby Sing Bollywood Reviews, New Bollywood Movies Reviews, New Bollywood Movies Released, New Hindi Films Reviews, New Hindi Movies Reviews, New Hindi Movies Released, New Bollywood Reviews, Bobby Talks Cinema Review, Reviews By Bobby Sing, New Hindi Films Reviews at bobbytalkscinema.com
28 January 2013 / bobbysing /
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A more than sixty percent presence in the theater and that too in an early morning show with mostly youngsters clearly proved the reputation associated with the title or brand RACE. No doubt the viewers wished to enjoy the same kind of excitement and entertainment provided by its 2008 prequel once again and the film’s promos also promised them the same quite smartly. So the thrill to watch another well made crime-thriller by director duo Abbas-Mastaan was right there. Plus I was also interested to know that whether they have again followed a western movie as usual or gone completely original this time for a change.

Taking up my doubt about its inspired status first, it doesn’t seem to be a copied film at all as its script has nothing great in its content to copy as far as the shocks and twists are concerned. And in case it still is inspired then after PLAYERS the director duo again have made a pretty weak inspired film in comparison with RACE (2008) which was entirely taken from GOODBYE LOVER (1998) in an intelligent manner.
Banking hugely on the success of its prequel, RACE 2 starts off in a similar manner with all style, glamour & beauty in high dosages, but gives you many illogical con sequences right in the start indicating a feeble product ahead. Still it has many well shot scenes and some enjoyable moments in its first half, which largely depend upon its sharply written dialogues and quality execution including a brilliant chase sequence and some shocking twists coming just before the intermission. So though one doesn’t feel like having served with some great entertainment in its first half, yet he doesn’t lose interest as the second half of an Abbas Mastaan film is supposed to be much better & engaging leading to a shocking climax.
But unfortunately the same is not the case this time, as RACE 2 simply falls flat like a castle of cards post interval and then ends with a pathetic kind of climax throwing all kinds of logics out of the window. In fact there are so many deliberately added sequences in its second half which doesn’t seem like a part of the script chosen by Abbas Mastaan at all, such as the silly or childishly directed heist scene, John’s fight sequence just added to show him without his shirt, the trademark Race song in which suddenly all the lead actors jump in to dance together, Anil-Amisha’s weird bedroom scene and then the highly questionable illogical plane crash shown in the climax.
In other words, RACE 2 gives us much less in comparison to what we all loved and enjoyed watching in its entertaining part one. Moreover the film simply ruins the most lovable character of the series i.e. of Anil Kapoor and his secretary (Amisha) turning them into mere pimps and sex maniacs saying double meaning dialogues all the time like two sick people working together. The duo have nothing significant to do in this part two (Anil is not a detective here) and have just been added to maintain the same look & feel of a series. As a result Anil Kapoor is not able to make any kind of solid impact on the viewers (which wasn’t expected) and truly remains wasted till the climax. Amisha Patel on the other hand (as his secretary) looks quite tired and aged in many scenes.
Among the lead heroes, both John Abraham and Saif Ali Khan act tough but Saif is a clear winner here getting a better role in the script. They both get full marks for their style, physique and charisma but sadly the unconvincing twists and turns in the script don’t let their characters impress the viewer hugely like they earlier did in the first part. Jacqueline Fernandez is just fine as the shrewd money chaser but RACE 2 largely belongs to Deepika Padukone alone since she simply sizzles on the screen as the gorgeous clever vamp breaking all barriers of her image post a bold COCKTAIL. Aditya Pancholi is again all style and nothing else but Rajesh Khattar does well before he completely vanishes off the screen leaving many questions unanswered.
Hence script wise RACE 2 has too many loop-holes in it which become more visible in absence of the much needed excitement post interval. The dialogues work as a big saving grace most of the times but music is not as per the expectations made from this sequel. Apart from the ‘Party Song’ all tracks are clearly forced into the narration hindering the pace and I really couldn’t understand that what can be the purpose of adding a song right after the intermission when the viewers have just got back from a break? As usual Cinematography (in an Abbas Mastaan venture) takes the movie to another level along with an energetic Background Score which desperately tries hard to excite the viewer in all those thrilling moments. However, the length could have been shorter with a sharply edited second half and lesser songs.    
To sum it up, RACE 2 has got all the other great elements which were widely appreciated in its prequel in 2008 except one. And that one remains the most essential factor in film-making which is an exciting and interesting SCRIPT, missing in RACE 2. So you can surely watch it if you are interested in only glamour, good locales, great dresses and elegant execution on the screen lead by some beautiful faces. But don’t expect anything more and certainly nothing equivalent to what you immensely enjoyed in RACE 1.
Rating : 2 / 5
Tags : Race 2 Review by Bobby Sing, Race 2 Film Review by Bobby Sing, Race 2 Review, Reviews by Bobby Sing at bobbytalkscinema.com, Bollywood Reviews By Bobby Sing, New Hindi Films Reviews By Bobby Sing at bobbytalkscinema.com, Bollywood Movies Reviews at bobbytalkscinema.com, Bobby Sing Bollywood Reviews, New Bollywood Movies Reviews, New Bollywood Movies Released, New Hindi Films Reviews, New Hindi Movies Reviews, New Hindi Movies Released, New Bollywood Reviews, Bobby Talks Cinema Review, Reviews By Bobby Sing, New Hindi Films Reviews at bobbytalkscinema.com
25 January 2013 / bobbysing /
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Nuclear War was the most serious issue for the entire world in the beginning of the last century and it still remains the most crucial one today in 2013. But contrary to all the seriousness involved in the subject, one of the most talented American directors had the guts to make an entertaining, satirical comedy based on an accidental or unintentional beginning of nuclear war in 1964 between Russia and America. The creative genius was Stanley Kubrick, who though started the movie on the novel "Red Alert" by Peter George as an intense thriller, but later decided to turn it into a comical satire with many funny sequences involving the top officials of both the world powers.

The hilarious mess in the film begins when a paranoid Brigadier General Jack decides to order a nuclear attack on the Soviet Union, without informing or taking permission from his immediate superiors. Being the only person knowing the secret code to recall the bomber plane back, he completely shuts down the communication in & out of the base and is simply waiting for them to drop the bomb in the targeted region. As the deadly news somehow reaches the officers they call an emergency meeting in the Pentagon where the U.S. president meets all his advisors along with the Soviet ambassador.

Here as the U.S. President makes a frightening call to the Soviet Premier informing him that a bomber plane is heading towards them with a nuclear bomb then in return he gives even more shocking information which turns everyone into stone. The info says that if U.S.S.R is hit by any nuclear weapon then it will automatically trigger a “Doomsday Machine” designed and programmed by their scientists which will totally destroy all animal and plant life on the planet. After this exchange of such deadly revelations, the whole atmosphere in that chamber of Pentagon is a real treat to watch, which is executed in an unbelievably engaging way by the maestro Stanley Kubrick.

Peter Sellers plays a triple role portraying the three men who might avert this tragedy beginning with Captain Lionel Mandrake, the only person with access to the demented Gen. Ripper; U.S. President Merkin Muffley, whose best attempts to divert disaster depend on placating a drunken Soviet Premier and the former Nazi genius Dr. Strangelove. Nominated for 4 Academy Awards it also made a record in which Peter Sellers was the first actor to be nominated for a single Academy award (Best Actor) for the same film in which he portrayed three different characters on the screen. The maestro is simply remarkable playing the funny officer, confused President and the insane Dr. Strangelove getting a superb support from the entire rest of the cast. The film also has the longest title for a Best Picture nominee or winner (13 words long) plus remains the first and only comedy classic directed by Stanley Kubrick. In other interesting features of the movie includes its intelligently conceived War Room, interesting Camerawork (in Black & White) and its well directed climax with a vision.
In fact the fictional facts shown in film were so upsetting that it reportedly led to many major changes in the policies to ensure that such events never become possible in the real life. And the irony is that after almost 4 decades of its release, the message of this thoughtful Kubrick venture is still controversial and relevant as ever.
In short if you wish to see an important, entertaining & intelligent sarcastic film talking about the World Affairs in the most hilarious manner then do watch this precious masterpiece as a must without any second thoughts.
Directed by Stanley Kubrick
Starring : Peter Sellers, George C. Scott, Sterling Hayden and more.
Tags : Dr. Strangelove or How I Learned to Stop Worrying and Love the Bomb (1964), Movies To See Before You Die Comedy, Must Watch List by Bobby Sing, Not To Be Missed Movies List at Bobbytalkscinema.com
23 January 2013 / bobbysing /
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