A warm welcome to all friends visiting the site with a loving invitation to read my personal expressions on movies, music, poetry and life.

Music and Movies are like Ears and Eyes to me and if you also feel the same, then you are going to enjoy every moment spent on my works here, for sure.

Do send in your valuable comments and suggestions as they would be my guide for all the future works.

ENJOY!

ANAARKALI OF AARAH - You praised Amitabh teaching the meaning of a woman's NO in the court, now praise Swara doing the same in a differently authentic manner. (Review By Bobby Sing).

PHILLAURI - It's a confusingly conceived Punjabi film made in Hindi, based on an interesting but inspired idea with the only merit being its emotional climax. (Review By Bobby Sing).

TRAPPED - Post an unconvincing start, it fairly keeps you engaged as a praise-worthy off-beat attempt featuring an impressive solo act and some notable merits. (Review By Bobby Sing).

This Friday's One Line Reviews by Bobby Sing for making your weekend movie plans..

KONG SKULL ISLAND (English) - Though lacks an emotional pull and the original charm, it's still an incredibly made entertaining comic-book adventure to be experienced in a well-equipped theater. (Review by Bobby Sing).

BADRINATH KI DULHANIA - A unique case of the makers returning with the same lead pair, a similar title, identical looks and the same old premise of a wedding, mocking at the viewers patience & choice. (Review by Bobby Sing).

LION (English/2016) - An emotionally uplifting film which once again depicts INDIA in a bad light and we know the westerners do have a fascination for such dark representation of our country since decades. (Review by Bobby Sing).

ANUPAMA (1967) - Its touching emotional climax and DDLJ - By Bobby Sing.

COMMANDO 2 - Focusing on suspense instead of action, Vidyut gets no support in this poor and so casually conceived film unfortunately. (Review By Bobby Sing).

LOGAN (English/Hindi) - You will make faces, tighten your fists and do several things going through this brutal, cold blooded must watch thriller for sure. (Review by Bobby Sing).

 
 
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March 27, 2017 Monday     

Qatl-In Broad Daylight-Bobby Talks CinemaAs a lesser-discussed and largely forgotten but ‘well-made’ Hindi crime thriller, QATL was released in 1986 post the sudden demise of one of the most gifted performers of Indian cinema Sanjeev Kumar and thus was dedicated to the legend too as respectfully mentioned in the very first slide of the film’s opening titles. Produced and directed by R. K. Nayyar, the project director of QATL was his wife Sadhna Nayyar (the famous actress) and the film was written by J. P. Choksey (story), Vinod Rattan (screenplay) and Madan Joshi (dialogue).

Featuring Sanjeev Kumar, Shatrughan Sinha, Sarika, Ranjeeta, Marc Zuber and Ashok Kumar (in a special appearance as the Fakir), QATL is the story of a stage actor who goes blind in an accident and then finds out the truth about his unfaithful wife and her affair in that helpless state. Controlling his anger, he smartly plans to murder the betraying wife and successfully does that too taking all possible precautions leaving no clues to trace. Enacted in a fabulously subtle manner by the maestro Sanjeev Kumar, the final hour of the thriller is about how he escapes the police enquiry and in the end comes up with a unique twist in the court forming the USP of the film.

With music given by Laxmikant Pyarelal and lyrics by Rajinder Krishan and Anand Bakshi, QATL has a couple of melodious, meaningful tracks too and it also uses clips from another famous film of Hari Bhai (Sanjeev Kumar), in which he did nine unusual roles with completely different get ups titled NAYA DIN NAI RAAT (1974).

Now coming to the revealing section of the write-up, which would sure disappoint many, I recently found the film almost entirely inspired (lifted) from an English TV film, after getting the valuable information in a comment received by a BTC friend at the site.

Its an American TV film titled IN BROAD DAYLIGHT aired in 1971 and is directed by Robert Day featuring Richard Boone, Suzanne Pleshette, Stella Stevens, John Marley and more. Written by Larry Cohen, the film has an exactly similar plot, story progression and many key sequences too as seen in QATL including the disguise, round fire staircase, the falling umbrella and the lady with the child in a pram.

However, the delightful silver lining in this particular case is that despite taking it all from the English TV film, QATL still comes up with its own unique climax which is completely different from the original and highly entertaining too. But at the same time the original IN BROAD DAYLIGHT also has a brilliant culmination which says it all without even a single dialogue in the final sequence of the film so cleverly.

Therefore, intentionally skipping writing anything about the two different and equally praiseworthy endings keeping the mystery intact, I am sharing the links of both the original and inspired film here for all the interested readers, so that you can also see them together and enjoy their individual excellence in execution, reaching your own conclusions.

QATL (1986) - https://youtu.be/3_kpP021HEw
IN BROAD DAYLIGHT (1971) - https://youtu.be/tVMcLffeL6s

Do write in post watching the films, as I would love to read your views about the two unique endings.
Cheers!

Note : A big thanks to V. Madhurageetha for giving the exclusive information.

Tags : QATL (1986) took it all from IN BROAD DAYLIGHT (TV Film/1971), Qatl (1986) and its inspirations, Inspired Films, Lifted Films, Copied Films, Inspired but still original, Sanjeev Kumar playing the blind, Inspired Cinema List at bobbytalkscinema.com by Bobby Sing
 
 
30 January 2017 / bobbysing /
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