A warm welcome to all friends visiting the site with a loving invitation to read my personal expressions on movies, music, poetry and life.

Music and Movies are like Ears and Eyes to me and if you also feel the same, then you are going to enjoy every moment spent on my works here, for sure.

Do send in your valuable comments and suggestions as they would be my guide for all the future works.

ENJOY!

NOOR - What a confused and lazy way to make a crime investigative thriller with neither thrills nor any investigations ending on a weird note. (Review By Bobby Sing).

This Friday's One Line Reviews by Bobby Sing for making your movie plans..

When my Career Consultancy didn't work for a few strangely concerned parents. - by Bobby Sing (Few Life Inspiring Words - 23).

FAST & FURIOUS 8 (English/Hindi) - Partially enjoyable, but strictly for the fans loving the action genre. [TTP (To The Point) Review By Bobby Sing].

MANJE BISTRE (Punjabi) - It seems Punjabi Cinema is now stuck with period dramas focusing on a 'Vyah Wala Ghar' as their latest repetitive obsession. (Review By Bobby Sing).

BEGUM JAAN (Hindi) / RAJKAHINI (Bengali) - Benegal's MANDI meets Manto's TOBA TEK SINGH and Mehta's MIRCH MASALA in this bold but over dramatic effort, sadly remaining too bland to be called an epic despite its noble intentions. (An overview by Bobby Sing).

The last 2 shows at REGAL and the one man behind the event, nobody knows about. (A detailed emotional and technical description by Bobby Sing).

MUKTI BHAWAN (Hotel Salvation) - Could have been a classic, but surely deserves to be seen for its subject, performances and Varanasi in particular. (Review by Bobby Sing).

LAALI KI SHAADI MEIN LAADDOO DEEWANA - Stay away from this marriage and its tiring absurdity. [TTP (To The Point) Review By Bobby Sing].

MIRZA JUULIET - One of those strictly avoidable films that make you wonder why they got made and for whom? (Review By Bobby Sing).

 
 
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April 28, 2017 Friday     

Jackie Chan was my first childhood hero (beyond Hindi films) since the 80s, and it’s really great to see him playing the lead, performing unbelievable stunts even after almost four long decades at the age of 60+.

Sadly his last many ventures have all been just average or below average products not offering much to praise or cheer, but unfortunately the present one can easily be rated amongst the worst, with a forced mix of just everything resulting in a hugely disappointing film.

Reportedly the first project made under the India-China co-production treaty, it’s seems to be a film made with ‘an early Ismail Merchant’ kind of mindset wherein India was shown as the land of magicians, snake charmers, beggars, fortune tellers, colourful fairs and different kind of people wearing unusual attires. In search of the lost treasure of Magadha dynasty in India, the film begins with a motion capture animation talking about the past and then keeps jumping from one location to another in the present featuring three Indian actors along Chan.

Without any kind of logic in the writing, representing sheer absurdity, its like they just went to the various locations to shoot and then edited them all together forming a complete film. And the regions begin from snowy mountains in China moving to Tibet, Dubai and Rajasthan following a diamond-studded key to the hidden ancient treasure in India. Written and directed by Stanley Tong, a long time associate of Chan, KUNG FU YOGA might have been designed as a fun filled roller coaster on paper keeping in mind the Indian and international viewers, but it never turns out to be the same simply missing the expected thrills, fun or entertainment in its less than two hours of duration.

The eye-catching visuals, action and a breathless space are the only features taken care of in the film with the Yoga getting its deserving mention in only one scene or rather a line. Hence, its title is also completely misleading adding to the film’s major drawbacks. Still the most ridiculous moment of the film comes right in the end when the entire cast suddenly starts dancing on the spot in front of an ancient temple kind of building, choreographed in a pure Bollywood style. Plus I cannot say why a whole line about Buddhism was muted by the censors in a particular sequence.

In all, KUNG FU YOGA has the amazing miracle man Jackie Chan playing an expert archaeologist as an extension of his character in THE MYTH. And you do get to see the globally famous charisma of the phenomenon in a few selected scenes along with his trademark humour. Among the Indian actors, Sonu Sood does almost nothing playing the stylish villain and both Disha Patani and Amyra Dastur certainly got the roles because of their on-screen beauty and presence more than anything else.

However, I would not hide the fact that I did enjoy watching the two along with Jackie Chan in many scenes having good fun together. But talking about inspirations, KUNG FU YOGA did made me recall our own Hindi dud ZALZALA (1988) and its temple of gold too, which was ironically largely inspired from the English film MACKENNA’s GOLD (1969).

Rating : 1.5 / 5

Tags : Kung Fu Yoga Review by Bobby Sing, Kung Fu Yoga Movie Review by Bobby Sing, Enlgish Films Reviews by Bobby Sing at bobbytalkscinema.com, Jackie Chan and Sonu Soos, Disha Patani, Amrya Dastoor in a film together, Indo-China Treaty for Film Production, Kung Fu Yoga Zalzala and Mackenna's gold.
 
 
03 February 2017 / bobbysing /
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