A warm welcome to all friends visiting the site with a loving invitation to read my personal expressions on movies, music, poetry and life.

Music and Movies are like Ears and Eyes to me and if you also feel the same, then you are going to enjoy every moment spent on my works here, for sure.

Do send in your valuable comments and suggestions as they would be my guide for all the future works.


NOOR - What a confused and lazy way to make a crime investigative thriller with neither thrills nor any investigations ending on a weird note. (Review By Bobby Sing).

This Friday's One Line Reviews by Bobby Sing for making your movie plans..

When my Career Consultancy didn't work for a few strangely concerned parents. - by Bobby Sing (Few Life Inspiring Words - 23).

FAST & FURIOUS 8 (English/Hindi) - Partially enjoyable, but strictly for the fans loving the action genre. [TTP (To The Point) Review By Bobby Sing].

MANJE BISTRE (Punjabi) - It seems Punjabi Cinema is now stuck with period dramas focusing on a 'Vyah Wala Ghar' as their latest repetitive obsession. (Review By Bobby Sing).

BEGUM JAAN (Hindi) / RAJKAHINI (Bengali) - Benegal's MANDI meets Manto's TOBA TEK SINGH and Mehta's MIRCH MASALA in this bold but over dramatic effort, sadly remaining too bland to be called an epic despite its noble intentions. (An overview by Bobby Sing).

The last 2 shows at REGAL and the one man behind the event, nobody knows about. (A detailed emotional and technical description by Bobby Sing).

MUKTI BHAWAN (Hotel Salvation) - Could have been a classic, but surely deserves to be seen for its subject, performances and Varanasi in particular. (Review by Bobby Sing).

LAALI KI SHAADI MEIN LAADDOO DEEWANA - Stay away from this marriage and its tiring absurdity. [TTP (To The Point) Review By Bobby Sing].

MIRZA JUULIET - One of those strictly avoidable films that make you wonder why they got made and for whom? (Review By Bobby Sing).

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April 28, 2017 Friday     

There is much to know about Punjab beyond politics, crime and drugs and the makers of IRADA at least gather some courage to make a film on the same revolving around a key city of the state featuring an interesting cast.

However I seriously wish the project was written, executed and publicized in a much stronger and fearless manner, since the present one unfortunately presents a lesser known, eye opener issue with quite a lame and unimpressive vision which fails to make any kind of solid impact on the viewer as required.

Revolving around a terribly disturbing truth of a known region in Punjab becoming the victim of water contamination because of a politically shielded industry and its reverse boring process (mixing chemicals with the groundwater), IRADA reveals a scary untold truth spreading the deadly cancer in people. And then introduces the harsh reality of a ‘CANCER TRAIN’ taking the patients from Bathinda to Bikaner (for treatment), also becoming a potential source of clients for the new Insurance agents.

No doubt the debutant director Aparnaa Singh surely deserves praises for selecting such an off-beat, dark subject talking about eco-terrorism (as the film calls it) in her very first attempt. But sadly the choice of subject doesn’t get any great support from its writers and the execution too remains far less than anything impactful lessening the alarming, social importance of its crucial subject.

Probably it was both the inexperience of the team and fear of the censor or involved parties that the makers didn’t even try to present it as any bold, in-depth film showcasing the lesser known reality. The subject matter surely had a lot to shock the uninformed or unaware viewers, but the film seldom intends to do the same and therefore keeps walking on the surface without getting into any ugly deeper pits intentionally.

Beginning with the emotional story of a father and his young athlete daughter (in the first 20 minutes), the film suddenly changes path moving on to the other related subplots involving a journalist, a corrupt politician, a cunning industrialist and an honest investigating officer appointed for the case. Taking too much time in the build-up, the relationships only gets established after almost an hour when the key plot is revealed and its only post the intermission that the viewer feels like watching something better talking about a shocking social issue to be honest. However an amateurish climax further ruins the entire excitement felt in its concluding hour.

Proving as the biggest savior apart from its appreciable plot, IRADA has an interesting cast featuring Naseeruddin Shah as the distressed father, Arshad Warsi as the smart, honest officer, Divya Dutta as a corrupt abusive politician (mostly speaking in Punjabi) and Sharad Kelkar as the mean, exploitive industrialist or the villain. Where both Naseer and Arshad keep trying to do their best in their half-baked roles, Divya and Sharad remain loud and unreal throughout due to the weak characterizations and Sagarika Ghatge fails to deliver anything worth noticing playing the revenge seeking journalist. Surprisingly the youngest of them all, Ruman Molla scores the maximum as the innocent, victim girl in her few scenes.

Besides the real life sources, the director also draws her inspiration from Julia Robert’s classic ERIN BROCKOVICH (2000) based on a similar subject, but remains unable to make any taut, exciting thriller following the identical format.

Summing up, IRADA has its heart in the right place and the intensions also noble choosing an untouched and relevant subject showcasing the present state of Punjab. But sadly that is not sufficient for making any winning film. As my personal conclusion, it would have been an entirely different outcome if the film was made in Punjabi instead of Hindi with a leading young actor playing the role of a short tempered investigating officer going after the politician and the industrialist together like an angry young man.

Rating : 2 + 1 (with the additional 1 just for the choice of subject and bringing the truth forward in front of the entire nation)

Tags : Irada Movie Review By Bobby Sing, Irada Film Review by Bobby Sing, Inspired Movies, Real life Inspired Movies on Punjab, Cancer Train in Punjba, Irada and Erin Brockovich, New Hindi Movies Reviews, New Hindi Movies Released, New Bollywood Reviews, Bobby Talks Cinema Review, Reviews By Bobby Sing, New Hindi Films Reviews at bobbytalkscinema.com
18 February 2017 / bobbysing /
leave a comment
2 Responses to “IRADA - A strictly average but shocking real life inspired film, bravely revealing another brutal truth of Punjab, also reminding you of Julia Robert's classic ERIN BROCKOVICH. (Review By Bobby Sing)”
submitted on 23 February 2017

Dear Bobby,
The movie is really ill-conceived and as pointed by you, a talented cast is not able to highlight a potential problem of our nation. As you said about the movie, I will say about you that your heart is certainly at right place otherwise you would have not supported this well-meaning but otherwise not so impressive movie.

Another point, not any thing against Akshay but I have missed Arshad in Jolly LLB 2 and after watching Irada, I am missing him more. I think he is irreplaceable as Jolly.

As movie lover, I want to discuss another point with you. Suppose, I don't love work of any "X" actor/director and never used to see his work unless he does some really marvelous work. But now some radical force is appealing to boycott his movie. If I don't see the movie as my previous stand they count me as one of them and if I see the movie to be against them, I prompt a bad film and become bound to see such bad film in future. What is your view on this topic. Please enlighten.

submitted on 04 March 2017

Dear Sudhanshu,
From my side the right kind of subject chosen always deserves and gets the extra marks even if the film is not upto the mark as in the present case. And yes Arshad certainly remains one of the most underrated and underutilised actors we have, not given their due and deserving roles by the directors.
Regarding the point you raised, from my experience in the field its better and always good to keep the personal life of a creative person aside not interfering in your assessment of his creative work. Otherwise you will not be able to enjoy or experience a lot of artistic expressions thinking about the person/creator's individual life instead.

For instance......... if you love a poetry written by a poet about his beloved...... and then come to know that the poet is actually a divorcee.
Then will you stop enjoying that poetry just because the poet's marital status?
It actually doesn't and shouldn't work that way in my opinion as with this kind of vision there will occur a lot of conflict in your thoughta right from the religious spiritual gurus to the filmi and political ones.

Hope I was able to explain the point in easy words.

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