A warm welcome to all friends visiting the site with a loving invitation to read my personal expressions on movies, music, poetry and life.

Music and Movies are like Ears and Eyes to me and if you also feel the same, then you are going to enjoy every moment spent on my works here, for sure.

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ENJOY!

TRAPPED - Post an unconvincing start, it fairly keeps you engaged as a praise-worthy off-beat attempt featuring an impressive solo act and some notable merits. (Review By Bobby Sing).

This Friday's One Line Reviews by Bobby Sing for making your weekend movie plans..

KONG SKULL ISLAND (English) - Though lacks an emotional pull and the original charm, it's still an incredibly made entertaining comic-book adventure to be experienced in a well-equipped theater. (Review by Bobby Sing).

BADRINATH KI DULHANIA - A unique case of the makers returning with the same lead pair, a similar title, identical looks and the same old premise of a wedding, mocking at the viewers patience & choice. (Review by Bobby Sing).

LION (English/2016) - An emotionally uplifting film which once again depicts INDIA in a bad light and we know the westerners do have a fascination for such dark representation of our country since decades. (Review by Bobby Sing).

ANUPAMA (1967) - Its touching emotional climax and DDLJ - By Bobby Sing.

COMMANDO 2 - Focusing on suspense instead of action, Vidyut gets no support in this poor and so casually conceived film unfortunately. (Review By Bobby Sing).

LOGAN (English/Hindi) - You will make faces, tighten your fists and do several things going through this brutal, cold blooded must watch thriller for sure. (Review by Bobby Sing).

RUNNING SHAADI - An average light hearted (Punjab based) film led by Tapsee Pannu, which you are sure going to enjoy watching on a TV channel instead of the costly multiplex. (Review By Bobby Sing).

RANGOON - Well shot, designed & performed but a dialogue in the film itself says, "Public SHOT nahin, FILM dekhti hai". (Review by Bobby Sing).

 
 
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March 24, 2017 Friday     
The detective series of James Bond, Dick Tracy, Perry Mason, Sherlock Holmes, Hercule Poirot, Miss Marple and more have repeatedly featured in Hollywood projects since the last century and are also hugely famous in the Indian subcontinent. Plus works of Arthur Conan Doyle and Agatha Christie have been the basis of many famous Hindi classics of the golden era too such as Bees Saal Baad, Gumnam and more.
Interestingly films focusing on individual detectives (and not spies) have always been offered to the Hindi film audience in the past beginning from CID to the likes of Inspector Eagle, Gopichand Jasoos, Do Jasoos, Police Public, Baadshah and many more. But recently we have witnessed a new trend of making detective movies (possibly post the unexpected success of Kahaani) as seen in Mr. Joe B. Carvalho, Samrat & Co., Bobby Jasoos, Detective Byomkesh Bakshy or the upcoming Jagga Jasoos supported by many big known names and production houses.
However, what still remains widely ignored by filmmakers as their subjects for thrilling detective Hindi films are the pulp fiction writers and their respective characters having a huge fan following among the Hindi readership belt in pan India. These are the writers whose works were and are still largely published in a cheap paper material (known as ‘Lugdi Sahitya’) with glossy (read B grade) hand-painted covers (focusing on blood, girls and guns) having some catchy suspense titles. The low priced ‘literature’ (as many don’t like that to be referred as) is specifically written for the masses with quite simple language using the local slangs, phrases and conversational trends adding to the excitement value. Though in the present times the presentation, printing and marketing standards of such novels (books) has gone through a positive, trendy, upmarket change, still the genre largely receives the same kind of treatment from the so called elite class, even today.
If studied in details, the particular subject has enough material for an exclusive depiction of the era beginning from the 1960s, majorly from the city of Meerut, distributed by the A. H. Wheelers stands found at the railway stations. But to give you a fair idea, here is the list of those (top-most) exceptional prolific writers and their famous key characters/investigators who can easily lead a Hindi film from the front based on any of their hit, fast-paced, engrossing novels lying on the forgotten shelves waiting to be explored by some innovative producers and directors from decades.
Ibne SafiA. Beginning from the pre-independence era, when Saradindu Bandopadhyay’s Byomkesh Bakshi was getting famous in the Bengali readers, Ibne Safi was fast winning hearts in the Urdu circles (in the early 50s) with his entertaining detective stories & novels led by interesting, likable heroes as:
Imran Ali - a highly educated sleuth with a colourful but complex (eccentric) personality who acts like a fool as a cover to his sharp intelligence.
Colonel Faridi - a rich, well-built, handsome, learned man with a remarkable mind and sharp reflexes who enjoys his passion to solve hard mysteries.
Captain Hameed - the naughty-romantic chief assistant to Colonel Faridi, who turns into a brave and intelligent associate when needed, controlling his frequent mood swings.
Anwar/Rasheeda - the crime reporter/private investigator and his courageous colleague.
With an unbelievably strong fan following Ibne Safi’s books (namely magazine Jasoosi Duniya) were widely read and sold in black too, both in Pakistan and India with translations being published in several regional languages in India. In fact renowned Hindi film lyricist-writer Javed Akhtar praised the impeccable style of Ibne Safi as an inspiring source for few of his own epic creations. And recently his Hindi & English translations have also been published by reputed names such as Random House India and Harper Collins reviving back the gone era.
Ved Prakash KambojB. In the 60s-70s when several social-romantic novels of Gulshan Nanda were being adapted as Hindi feature films and Satyajit Ray’s calm & cool investigator Feluda appeared in Bengali publications, the first few famous writers in the world of Hindi pulp fiction and their entertaining heroes were:
(i) Ved Prakash Kamboj, who wrote in the similar format as Ibne Safi following his entertaining lead character of Imran. His most famous heroes Vijay-Raghunath later inspired many known writers in the next decades.
Om Prakash Sharma(ii) ‘Janpriye Lekhak’ Om Prakash Sharma and his characters of:
RajeshThe honest, non-violent, idealistic senior detective from the secret services also known as “Bade Bhai”  
Jagat – The anti-hero, con-man but a friend and fan of Rajesh.
Chakram – An old age private detective along with his super-active dog.

(Here not many know that the reputed director Basu Chatterjee also made a film on his non-detective novel as Chameli Ki Shaadi for which Om Prakash Sharma was also credited for the dialogues along with the story.)
S.C. Bedi(iii) S. C. Bedi and his pocket-book series featuring:
Rajan-IqbalThe two young boys who were known to solve crime mysteries in their entertaining, playful style.
(And that would also remind many friends the whole mesmerizing world of comics and their famous lively detectives as Babloo, Bahadur, Ram-Rahim, Inspector Manoj, Crookbond and many more)
(iv) Parshuram Sharma's novels and Maqbul Jallandhari’s Colonel Ranjit series revolving around the middle aged Major Balwant dressed in urban style finding the real culprit.  
Ved Prakash Sharma(v) Ved Prakash Sharma and his hit investigators such as:
Vijay - Son of the IG and an undisclosed chief of Indian secret service acting as a private detective with many weird activities but extremely sharp crime solving skills.
Vikas
Vijay’s nephew and his professional chela (disciple) personally trained by him as the secret agent.  
Keshav Pandit
A unique character using his mind as his major weapon, he doesn’t have any Law degree but even the court remains stunned with his logical arguments given, saving his innocent clients. (A TV Serial was recently made around this specific theme and character.)
Vibha Jindal – 
The head of a big industrial house, who begins her journey as a crime investigator from her husband’s murder only. She is a clever lady solving the peculiar cases with her critical intelligent analysis as a passionate hobby.

(Interestingly a few films were made based on Sharma’s chosen novels like Bahu Ki Aawaaz, Sabse Bada Khiladi & International Khiladi, but they unfortunately didn’t feature any of these specific detective characters.)
SMP(vi) Surendra Mohan Pathak and his immensely popular:
SunilA charming, witty investigative journalist working for the fictional newspaper Blast. He is romantic in nature and often finds himself fighting for the innocent with the help of his ‘youth club owner’ friend Ramakant.
Sudhir
Contradicting to Sunil’s character, Sudhir is a kind of ‘philosopher’ private detective of Delhi portrayed with the typical features of the city’s lingo, style and life patterns giving him the title of “Sudhir Kohli – The Lucky Bastard”.
Vivek Agashe – A retired military officer in the mid-50s is the elected president of the unique Crime-Club apart from working as a professional private detective solving the twisted cases.
(SMP – as the writer is popularly known among his big fan following, has another of his hugely famous notorious character Vimal aka Surender Singh Sohal who is not a detective but can easily lead a crime thriller movie with many fast paced, engrossing moments woven around an impossible heist.
To give the writer his long awaited due, SMP is one of the first Hindi pulp fiction writers to be translated in English and published by reputed names (in the new millennium) becoming the bestseller in this genre on major online portals. Plus he also has a super-active fan group at Facebook too, member of which even organize fan-meets and events in various cities on regular basis.)
C. The 80s witnessed a cut throat competition between two best sellers of this industry namely Surender Mohan Pathak and Ved Prakash Sharma with many more joining in the increasing demand like Anil Mohan & later Amit Khan including some ghost writers en-cashing the ongoing trend.
But post the mid-90s with the arrival of Cable TV and internet revolution, Hindi Pulp fiction began losing its passionate readers, only to be revived a few years back by reputed publishing houses like Harper Collins coming up with the latest novels of Surender Mohan Pathak (in Hindi only) and the earlier works of both SMP & Ved Prakash Sharma made available in the form of e-books at mobile platforms such as Newshunt.
Incidentally, the past decade has seen a substantial growth in crime-detective novels in English by Indian (or India based) writers too with many interesting detective characters such as Vish Puri, Inspector Lalli, Inspector Singh, Reema Ray and more. Besides, noted film-makers such as Piyush Jha and Neeraj Pandey also ventured into crime-writing coming up with a few appealing books featuring their own invented characters like Inspector Virkar and Ghalib Danger. Yet after reading them, one still finds the Hindi pulp fiction much more engaging, spicy and entertaining with equal dosage of suspense, crime, sex and humour, waiting to be adapted for many worth-watching films since decades.
However, with no news of any film project being made on these specific characters, all we can do is hope…. that these ready-made scripts soon find their way into the offices of big production houses and renowned stars giving a Sunil, Sudhir, Imran, Vijay, Vibha or a Rajesh an equal chance as given to Feluda and Byomkesh Bakshi in our Indian Cinema.
Bobby Sing
© April 2015 – Bobbytalkscinema.com

--------------

This article of BTC was published (in an edited form) on IBNlive.com on 26th May 2015 with the heading :

Ibne Safi to Surender Mohan Pathak: 7 Hindi pulp fiction writers and their detectives waiting to be explored on screen” - By Bobby Sing
Tags : From Ibne Safi to Surender Mohan Pathak, Hindi Pulp Fiction Writers ignored by Bollywood Filmmakers, Nostalgia, Hindi Crime Novels,
 
 
04 April 2015 / bobbysing /
leave a comment
 
 
10 Responses to “"From Ibne Safi to Surender Mohan Pathak" - The hugely famous Urdu/Hindi pulp fiction writers and their fictional detectives widely ignored by the filmmakers since decades. (An overview by Bobby Sing)”
Rahul kumar   
submitted on 04 April 2015

Dear Mr Singh,
a few months back , while wasting my time on internet , i landed up on your website . & was so amazed to see that , all my fav hindi/english movies are already there in your "must see movies" section with an absolute non biased review /openions about cinema,literature etc , then i was like " yeah this guys is juss awsome , just da kind of site i can ever want ". Since then i only refer two sites 1st one is ofcourse IMDB, and 2nd one , is BTC.

i am a die hard fan of hindi as well as english movies, and watched a few movies ( like drushyam, suspect x , bunnylake goes missing) only after reading your reviews of them & trust me Man u disappointed me not even a single time..
I just wish you could include some more classics of sir Billy wilder and frank capra , which dint make entry in your must see movies.( Just wanna see your opinions on their work)

& this article of yours on Hindi pulp fiction , just reminded me of all da characters which i have always loved ( esp Characters of MR SMP)

Pl include more n more articles like this & treat us with ever amazing reviews .
ONE humble Suggestion: Pl ask your web admin team to provide a search option on your site where we can easily search the reviews/ article you post.

cheers

reagards
Rahul




 

bobbysing
submitted on 09 April 2015

Dear Rahul, 
Many loving thanks for your kind appreciative comment and I really mean that as it gives me the much needed spirit to continue with the same energy forever.

Regarding the two maestros Billy Wilder and Frank Capra, I have included a few and would surely love to add more soon as you have reminded me rightly.

About the Search option - Its there already at the right column just below the 'Your commnets' section or above the Disclaimer.
Just type an uncommon word from your subject like 'Bunny' from the film's title and you will get the list of related posts.

Hope you will find much more on the topics you are looking for.
Keep Visiting and Writing in,
Cheers!

Prakash Bhatia   
submitted on 05 April 2015

Hi Bobbyji,
Thoroughly enjoyed your article on pulp fiction and I must congratulate you on your research. It is really sad and unfortunate that pulp fiction has not found favour with our hindi film industry whereas Byyomkesh and Feluda has attained iconic status in Bengaland now in bollywood also.
I think the reason is mindset of bengali and hindi film makers.The bengali film makers are proud of their writers whereas hindi producers look down upon our hindi literature. Why we should expect them to have a look on our popular pulp fiction when they completely ignore gems of hindi literature like Premchand. The highly talented filmmaker Vishal Bharadwaj looks only towards Shakespeare but never attempts Rangbhomi, Karambhoomi or Gaban, reasons best known to him.
Cheers

bobbysing
submitted on 09 April 2015

Hi Prakash ji,
Really glad that the article could reach everyone who actually lived that era of crime novels and pocket books.
Yes sadly the hindi belt never looked upon these writings with the respect they deserved and always considered them to be something cheap and down market stuff. 
Its only recently with the reputed publisher Harper Collins picking SMP that the media took notice of them all seriously and started coming up with interviews and articles too. But still there is no news of any film project being made on these ready-made scripts, so hope this article somehow reaches those concerned persons desks and makes a difference.

Cheers!

Sudhanshu   
submitted on 06 April 2015

Dear Bobby,
This post is like remembering our old friends.
Please read "Adami ka Zehar" by Shrilal Shukla .As you may be already Knowing, he is not a pulp fiction writer and he has won even sahitya academy award for Raag-Darbari. I always found it as a great script for a potential detective movie with socio-political backdrop. Even I have suggested this to few directors on online forums.
Please read this one.

Regards,
Sudhanshu

bobbysing
submitted on 09 April 2015

Dear Sudhanshu,
Thanks a lot for visiting and writing in your supportive comment.
Would surely try to read "Adami Ka Zehar" by Shrilal Shukla at the earliest as recommended.

Till then keep visiting,
Cheers!

rahul   
submitted on 18 April 2015

Dear Mr Singh.
I am not sure about this whether i have read this somewhere or heard about it as i faintly remember ,that multi starer movie saazish (1988) is loosley based on some SMP novel.
Though i m not able to trace any links between movies plot and any novel. so if u have or gain any info about the same , do let us know.

Cheers
Rahul

bobbysing
submitted on 20 April 2015

Dear Rahul,
Though I am also not aware of the particular novel, it might be based upon but I will try to get some info from SMP fan group in FACEBOOK by posting it there.
So lets see if any friend there responds with some specific information.
Will keep you updated for sure.

Cheers!

Naved Khan   
submitted on 29 April 2016
There are many but nobody is like SMP , and he created many but nobody is like SUNIL.

I m very very die hard fan of SMP and SUNIL.
bobbysing
submitted on 09 June 2016

Great to hear that Naved and Thanks for visiting and writing in too.
Cheers!
HIS BLESSINGS

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