A warm welcome to all friends visiting the site with a loving invitation to read my personal expressions on movies, music, poetry and life.

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ANAARKALI OF AARAH - You praised Amitabh teaching the meaning of a woman's NO in the court, now praise Swara doing the same in a differently authentic manner. (Review By Bobby Sing).

PHILLAURI - It's a confusingly conceived Punjabi film made in Hindi, based on an interesting but inspired idea with the only merit being its emotional climax. (Review By Bobby Sing).

TRAPPED - Post an unconvincing start, it fairly keeps you engaged as a praise-worthy off-beat attempt featuring an impressive solo act and some notable merits. (Review By Bobby Sing).

This Friday's One Line Reviews by Bobby Sing for making your weekend movie plans..

KONG SKULL ISLAND (English) - Though lacks an emotional pull and the original charm, it's still an incredibly made entertaining comic-book adventure to be experienced in a well-equipped theater. (Review by Bobby Sing).

BADRINATH KI DULHANIA - A unique case of the makers returning with the same lead pair, a similar title, identical looks and the same old premise of a wedding, mocking at the viewers patience & choice. (Review by Bobby Sing).

LION (English/2016) - An emotionally uplifting film which once again depicts INDIA in a bad light and we know the westerners do have a fascination for such dark representation of our country since decades. (Review by Bobby Sing).

ANUPAMA (1967) - Its touching emotional climax and DDLJ - By Bobby Sing.

COMMANDO 2 - Focusing on suspense instead of action, Vidyut gets no support in this poor and so casually conceived film unfortunately. (Review By Bobby Sing).

LOGAN (English/Hindi) - You will make faces, tighten your fists and do several things going through this brutal, cold blooded must watch thriller for sure. (Review by Bobby Sing).

 
 
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March 30, 2017 Thursday     
Directed by Vivek Agnihotri, who last came up with BUDDHA IN A TRAFFIC JAM, a ‘stuck’ political drama released after 4-5 years, JUNOONIYAT can easily be rated as one of the most casually made films with not even a single novel feature in terms of storyline, script progression, execution or performances of its lead couple. A project made in a ‘sleep mode’ will be the best phrase to describe it using an honest expression, as the film doesn’t even try to make an impression following an all dull and lazy vision right from its first tacky sequence to the very last.
In short, JUNOONIYAT has a first half typically made on the set Yash Chopra format taking a good 50 minutes to establish the romance using Kashmir, Punjab, a poem and a Holi festival song as usual. And then DILWALE DULHANIYA LE JAAYEGE takes over the second with the climax also shot at a railway station bringing the entire family there looking at the kissing couple. But what actually makes you feel completely disconnected with the movie is the utterly fake portrayal of just everything ranging from army offices, army men, Punjab, Punjabi families, the college picnic, the runaway, the confusion, glossy marriages, the functions, the would-be husband and the finale making no impact of any kind in terms of love, romance or emotions presenting a routine drama.
Where the director conceives the film targeting the 20+ youngsters who were born after the era of DDLJ, the entire cast acts in the scenes as if they don’t really know that this all has been already done to death in the last two decades. So after a while you are not even interested in watching the beautiful Yami Gautam or the charming Pulkit Samrat doing nothing on the screen playing ‘the eternal couple’. In the supporting cast, Hrishita Bhatt is just there completing her next assignment but Gulshan Devaiah tries his best in all the repetitive scenes playing ‘Parmeet Sethi’ of DDLJ.
Made strictly as a 90s romantic saga without incorporating anything new or fresh due to some strange unknown reasons, the film also doesn’t have any great songs providing the much needed support including the remake of an old hit Punjabi track "Nachange Saari Raat" by Stereo Nation. So it’s just the cinematography that can be mentioned as the only merit of this lifeless romantic film made without any interest or vision as such.
Summing up, as love is the most beautiful emotion gifted to the human race, love stories will always remain the most favourite genre of film-makers targeting the young viewers.
However since every team is not capable of delivering a ‘new generation love story’, there will always be only one SAIRAT among hundreds of weak, wannabe trendsetters like JUNOONIYAT in every decade to come.
Rating : 1 / 5
Tags : Junooniyat Review by Bobby Sing, Junooniyat Film Review by Bobby Sing, Inspired movies, DDLJ inspired love story, New Bollywood Movies Released, New Hindi Films Reviews, New Hindi Movies Reviews, New Hindi Movies Released, New Bollywood Reviews, Bobby Talks Cinema Review, Reviews By Bobby Sing, New Hindi Films Reviews at bobbytalkscinema.com
 
 
25 June 2016 / bobbysing /
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