A warm welcome to all friends visiting the site with a loving invitation to read my personal expressions on movies, music, poetry and life.

Music and Movies are like Ears and Eyes to me and if you also feel the same, then you are going to enjoy every moment spent on my works here, for sure.

Do send in your valuable comments and suggestions as they would be my guide for all the future works.

ENJOY!

ANAARKALI OF AARAH - You praised Amitabh teaching the meaning of a woman's NO in the court, now praise Swara doing the same in a differently authentic manner. (Review By Bobby Sing).

PHILLAURI - It's a confusingly conceived Punjabi film made in Hindi, based on an interesting but inspired idea with the only merit being its emotional climax. (Review By Bobby Sing).

TRAPPED - Post an unconvincing start, it fairly keeps you engaged as a praise-worthy off-beat attempt featuring an impressive solo act and some notable merits. (Review By Bobby Sing).

This Friday's One Line Reviews by Bobby Sing for making your weekend movie plans..

KONG SKULL ISLAND (English) - Though lacks an emotional pull and the original charm, it's still an incredibly made entertaining comic-book adventure to be experienced in a well-equipped theater. (Review by Bobby Sing).

BADRINATH KI DULHANIA - A unique case of the makers returning with the same lead pair, a similar title, identical looks and the same old premise of a wedding, mocking at the viewers patience & choice. (Review by Bobby Sing).

LION (English/2016) - An emotionally uplifting film which once again depicts INDIA in a bad light and we know the westerners do have a fascination for such dark representation of our country since decades. (Review by Bobby Sing).

ANUPAMA (1967) - Its touching emotional climax and DDLJ - By Bobby Sing.

COMMANDO 2 - Focusing on suspense instead of action, Vidyut gets no support in this poor and so casually conceived film unfortunately. (Review By Bobby Sing).

LOGAN (English/Hindi) - You will make faces, tighten your fists and do several things going through this brutal, cold blooded must watch thriller for sure. (Review by Bobby Sing).

 
 
  Directors I Love  
  Alfred Hitchcock  
  Mehboob Khan  
  Woody Allen  
  Akira Kurosawa  
  Basu Chatterjee  
  Bimal Roy  
  Charlie Chaplin  
  Chetan Anand  
  Govind Nihalani  
  Gulzar  
  Guru Dutt  
  Hrishikesh Mukherjee  
  Kamal Hassan  
  Ketan Mehta  
  Mrinal Sen  
  Quentin Tarantino  
  Raj Kapoor  
  Richard Attenborough  
  Sai Pranjpe  
  Satyajit Ray  
  Shyam Benegal  
  Steven Spielberg  
  Vijay Anand  
  Ram Gopal Verma  
  Ashutosh Gowariker  
  Mani Ratnam  
  Aleksandr Petrov  
  Saeed Akhtar Mirza  
  Shekhar Kapoor  
  Yash Chopra  
  Frank Capra  
  V. Shantaram  
  Billy Wilder  
  Rajkumar Hirani  
  Vishal Bhardwaj  
  Tigmanshu Dhulia  
  Dibaker Banerjee  
  Rajkumar Santoshi  
  Majid Majidi  
  Ritwik Ghatak  
  Clint Eastwood  
  Prakash Mehra  
  Manmohan Desai  
  Shoaib Mansoor  
  Anurag Kashyap  
  S. S. Rajamouli  
  B. R. Chopra  
  Stanley Kubrick  
 
  Also Active at  
  Gurmat Darshan.com  
  At Youtube.com  
  At Wordpress.com  
  At Facebook  
  At Twitter  
 
 
 
FROM THE GOOD
OLD DAYS
 March 2017 (10)
 February 2017 (6)
 January 2017 (14)
 December 2016 (12)
 November 2016 (11)
 October 2016 (15)
 September 2016 (10)
 August 2016 (12)
 July 2016 (12)
 June 2016 (16)
 May 2016 (14)
 April 2016 (17)
 March 2016 (10)
 February 2016 (10)
 January 2016 (9)
 December 2015 (11)
 November 2015 (10)
 October 2015 (10)
 September 2015 (11)
 August 2015 (12)
 July 2015 (15)
 June 2015 (10)
 May 2015 (15)
 April 2015 (16)
 March 2015 (12)
 February 2015 (10)
 January 2015 (14)
 December 2014 (11)
 November 2014 (10)
 October 2014 (10)
 September 2014 (12)
 August 2014 (12)
 July 2014 (21)
 June 2014 (23)
 May 2014 (24)
 April 2014 (23)
 March 2014 (21)
 February 2014 (26)
 January 2014 (28)
 December 2013 (10)
 November 2013 (14)
 October 2013 (16)
 September 2013 (14)
 August 2013 (14)
 July 2013 (12)
 June 2013 (11)
 May 2013 (23)
 April 2013 (10)
 March 2013 (14)
 February 2013 (14)
 January 2013 (15)
 December 2012 (18)
 November 2012 (14)
 October 2012 (15)
 September 2012 (14)
 August 2012 (15)
 July 2012 (12)
 June 2012 (14)
 May 2012 (16)
 April 2012 (15)
 March 2012 (10)
 February 2012 (11)
 January 2012 (11)
 December 2011 (10)
 November 2011 (11)
 October 2011 (15)
 September 2011 (10)
 August 2011 (11)
 July 2011 (11)
 June 2011 (13)
 May 2011 (16)
 April 2011 (14)
 March 2011 (11)
 February 2011 (10)
 January 2011 (12)
 December 2010 (10)
 November 2010 (12)
 October 2010 (11)
 September 2010 (11)
 August 2010 (12)
 July 2010 (12)
 June 2010 (11)
 May 2010 (14)
 April 2010 (15)
 March 2010 (14)
 February 2010 (12)
 January 2010 (15)
 December 2009 (12)
 November 2009 (14)
 October 2009 (15)
 September 2009 (18)
 August 2009 (14)
 July 2009 (16)
 June 2009 (18)
 May 2009 (16)
 April 2009 (18)
 March 2009 (20)
 February 2009 (19)
 January 2009 (20)
 December 2008 (20)
 November 2008 (17)
 October 2008 (21)
 September 2008 (19)
 August 2008 (22)
 July 2008 (23)
 June 2008 (21)
 May 2008 (25)
 April 2008 (22)
 March 2008 (25)
 February 2008 (22)
 January 2008 (22)
 December 2007 (24)
 November 2007 (22)
 October 2007 (22)
 
 
 
 
 
March 27, 2017 Monday     
With the posters giving a feel of QT’s KILL BILL and the title looking like a tribute paid to the master director KUROSAWA (may be because of the presence of Anurag Kashyap), AKIRA appeared to be a fast paced, powerful, energetic action oriented ‘Murugadoss’ film before the release, surprisingly focusing on a bold, female protagonist coming as a positive change. However what turns out to be is a messed up film with a strong, potent idea but nothing close to anything highly entertaining or engaging, missing the expected jaw-dropping action promised in its promotional campaign.
Regarding the tribute, the film clears the doubt in the opening moments itself explaining AKIRA as a Sanskrit word meaning ‘graceful strength’ and then does offer some worth engaging sequences too focusing on the childhood and college confrontations in particular. But unfortunately, the moment they bring in the ‘mental asylum’ into the storyline post the interval, the film starts losing the grip pretty badly and then completely ruins the fine build up taking some huge ‘cinematic liberties’ unconvincingly.
In short though logic has never been a strong feature of Murugadoss’s quick paced, high on action one-man army kind of films, but in AKIRA the director surprisingly executes it all in a quite careless or rather silly manner which neither entertains nor is able to keep you engrossed post the initial hour.  
An official remake of a Tamil hit MOUNA GURU (2011), the film was also remade in Kannada and Telugu, but they all had a male hero playing the solid role of ‘A Silent Teacher’. So considering it from a different angle, it was certainly a good move bringing in a young girl as the tough-fighter and roping in Anurag Kashyap to play the main villain along with Konkona Sen Sharma as the parallel investigating officer trying to solve the twisted case.
But what might have looked like perfect on the paper doesn’t get transformed on the screen as expected, resulting in neither a great action entertainer nor a tense crime drama or any investigative thriller. So despite wholeheartedly appreciating the effort put in by Sonakshi Sinha and Anurag Kashyap in their individual scenes, one is unable to rate it as even an average, satisfying film to be precise.
In other words, AKIRA keeps hanging somewhere between its various subplots and gets severely affected by the constantly shifting attention on Sonakshi, Kashyap and Konkona (who is simply wasted carrying a baby bump throughout the entire investigations without any justifications). In fact, it was so strange to see the lady accepting in her very first scene that she has come to the city for joining in that crucial stage of pregnancy all alone, leaving the family behind.
Thankfully having only one song (coming post interval), AKIRA doesn’t have any exceptional cinematography or background music too raising the excitement level. The writing remains predictable and dull post intermission which also becomes absurd towards the climax with the people being killed and the case closed down in a highly laughable manner.
So before opting for it in a costly multiplex, just read its tagline once again saying “No One Will Be Forgiven” declaring it pretty clearly.
Rating : 1.5 + 0.5 / 5 (with the additional 0.5 just for the ‘giving back to the boys throwing acid on girls’ sequence and ‘the college fight’.)
Tags : Akira Review By Bobby Sing, Remake of South Films, Hindi remake of MOUNA GURU, Official remake of South Films, New Hindi Films Reviews, New Hindi Movies Reviews, New Hindi Movies Released, New Bollywood Reviews, Bobby Talks Cinema Review, Reviews By Bobby Sing, New Hindi Films Reviews at bobbytalkscinema.com
 
 
02 September 2016 / bobbysing /
leave a comment
 
 
0 Responses to “AKIRA - A strong potent idea gets messed up in the constantly shifting attention between Sonakshi, Anurag & Konkona ending on an absurd note. (Review By Bobby Sing)”
Leave A Reply
Name
E-mail (will not be published)
Website
verification image, type it in the box Enter Verification Code
 
 
     
 
 
 
 
Reviews in All (929)

 
 
 
Inspired Hindi Movies
Alphabetical
List (511)
 
 
 
 
Articles on Music,
Poetry & Life (96)
Did You Know! (88)
Few Life Inspiring Words! (22)
Nostalgia (Books on Cinema,Vintage Magazines, Scans & more) (28)
 
 
   
   
   
   
   
   
   
   
   
   
 
 
 
   
 
   SEARCH
 
 
 
 
   
 
   
 
Page copy protected against web site content infringement by Copyscape
Google Analytics Alternative
 
 
 
The site is a collection of personal expressions of the writer to share his own views on different mediums of art, with no intention of hurting any person or organisation in particular. The site is also not responsible for any inappropriate acts practiced by the third party links added here only for information purposes.
   Visit bobbytalkscinema.com for Bollywood Movie Reviews, Inspired Cinema, Movies To See Before You Die, Amazing Bollywood Facts, Articles On Cinema, Music, Poetry & Life
 
Site Best View At 1024 X 768 Resolution & Above