The one person who has mastered the art of how to deal with and extract some exceptional work from kids in Hindi films is Amole Gupte and the director has strongly proved his praiseworthy skill in films like TAARE ZAMEEN PAR (as creative director) and STANLEY KA DABBA winning much recognition including the National Awards. So as expected, one gets to see the glimpses of the same lovable art form in HAWAA HAWAAI too but in a more decorated manner, somewhat different from what we had earlier seen in Amole’s previous films.
HAWAA HAWAAI begins well and remains focused on the kids alone, which actually is its major triumph card played throughout the film intelligently. The first half holds out well and the second half gives you some emotional moments too with the final tournament executed in an engaging style. However this time we have a project based on a sport, which is not that famous in the country (found only in the metros) along with some over the top and unrequired sequences too which don’t allow the film to excel in its overall execution.
For instance, the 30 Rupees insertion was quite a deliberate one since even a street kid knows that he cannot even get 1 liter of milk in that small amount or even one cutting chai available at a minimum of 5-10 Rupees in the market. So how can they believe just 30 Rupees to be the price of a big roller-blade set being sold at a lavish store, particularly when the kids are supposed to be so sharp & witty in their otherwise mutual interactions? Secondly all those iron-man kind of armors looked like too filmy to be incorporated in a Amole Gupte film desperately trying to make a stronger impact. And lastly a love angle thrown in just for the sake of it was also a clear indication of side-plot inserted forcefully.
So in short, the meaningful warmth witnessed in Amole’s STANLEY KA DABAA is sadly missing here and the completely predictable theme of the film plays a major drawback too as always seen in projects based on Sports theme. But still Amole once again brings forward a burning issue of our society i.e. of Child Labour and Minimum Education as the right of every kid residing in the country. The sequences showing the big, ugly class divide existing all around us, hit you hard and one does begin thinking about the same, as the film ends with an interesting scene of a primary class being attended by the grown up kids.
Here I would like to mention a very important sequence in the film, wherein the coach starts training the poor kid, feeling both the responsibility and pride in doing this noble act. But in the process, forgets about the nutrition level to be maintained along with the physically draining, training sessions provided in nights. And I really found this thoughtful insertion a very enlightening one, pointing towards the fact that it’s not just sufficient to provide all the kids their minimum education, but we also need to look into their ‘nutritional needs’ too in order to get their overall development in a much balanced manner.
Revolving around all realistic characters, HAWAA HAWAAI plays the underdog card well in its second half and the performances lift up the film with a fine display of friendship, will power and focused ambitions. The situational soundtrack doesn’t grab your attention as it should have but the cinematography presents it delightfully leaving a positive impact. Saqib Saleem wins your heart as the selfless coach. Plus both Neha Joshi (the mother) & Anuj Sachdeva (the elder brother) are terrific in their respective roles. The supporting cast contributes greatly, especially Razzak Khan playing the positive character helping the kids in his garage in just two scenes.
Actually the film deserves to be seen for the five kids alone led by the talented Partho Gupte who once again delivers an astonishing performance as the hardworking boy. He remains the real hero of the film along with his four friends Bhura (Salman Chhote Khan), Gochi (Ashfaque Khan), Abdul (Maaman Memon) and Bindaas Murugan (Tirupathi Krishnapelli), with Gochi taking away most of the smiles in the theater.
In all, despite being predictable and having few avoidable sequences, HAWAA HAWAAI still can be called a decent attempt spreading awareness among the society, keeping the living spirit alive in the underprivileged kids. It’s honestly not a step ahead by Amole Gupte but deserves to be seen for its sincere, inspirational performances for sure. Also because we rarely make films here with the kids playing the key roles.
Rating : 3 / 5
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