A warm welcome to all friends visiting the site with a loving invitation to read my personal expressions on movies, music, poetry and life.

Music and Movies are like Ears and Eyes to me and if you also feel the same, then you are going to enjoy every moment spent on my works here, for sure.

Do send in your valuable comments and suggestions as they would be my guide for all the future works.


BAHUBALI 2 - It delivers larger than life cinema as a solid prequel & conclusion but the excellence seen in the final hour of its original remains missing. (Review by Bobby Sing).

NOOR - What a confused and lazy way to make a crime investigative thriller with neither thrills nor any investigations ending on a weird note. (Review By Bobby Sing).

This Friday's One Line Reviews by Bobby Sing for making your movie plans..

When my Career Consultancy didn't work for a few strangely concerned parents. - by Bobby Sing (Few Life Inspiring Words - 23).

FAST & FURIOUS 8 (English/Hindi) - Partially enjoyable, but strictly for the fans loving the action genre. [TTP (To The Point) Review By Bobby Sing].

MANJE BISTRE (Punjabi) - It seems Punjabi Cinema is now stuck with period dramas focusing on a 'Vyah Wala Ghar' as their latest repetitive obsession. (Review By Bobby Sing).

BEGUM JAAN (Hindi) / RAJKAHINI (Bengali) - Benegal's MANDI meets Manto's TOBA TEK SINGH and Mehta's MIRCH MASALA in this bold but over dramatic effort, sadly remaining too bland to be called an epic despite its noble intentions. (An overview by Bobby Sing).

The last 2 shows at REGAL and the one man behind the event, nobody knows about. (A detailed emotional and technical description by Bobby Sing).

MUKTI BHAWAN (Hotel Salvation) - Could have been a classic, but surely deserves to be seen for its subject, performances and Varanasi in particular. (Review by Bobby Sing).

LAALI KI SHAADI MEIN LAADDOO DEEWANA - Stay away from this marriage and its tiring absurdity. [TTP (To The Point) Review By Bobby Sing].

  Directors I Love  
  Alfred Hitchcock  
  Mehboob Khan  
  Woody Allen  
  Akira Kurosawa  
  Basu Chatterjee  
  Bimal Roy  
  Charlie Chaplin  
  Chetan Anand  
  Govind Nihalani  
  Guru Dutt  
  Hrishikesh Mukherjee  
  Kamal Hassan  
  Ketan Mehta  
  Mrinal Sen  
  Quentin Tarantino  
  Raj Kapoor  
  Richard Attenborough  
  Sai Pranjpe  
  Satyajit Ray  
  Shyam Benegal  
  Steven Spielberg  
  Vijay Anand  
  Ram Gopal Verma  
  Ashutosh Gowariker  
  Mani Ratnam  
  Aleksandr Petrov  
  Saeed Akhtar Mirza  
  Shekhar Kapoor  
  Yash Chopra  
  Frank Capra  
  V. Shantaram  
  Billy Wilder  
  Rajkumar Hirani  
  Vishal Bhardwaj  
  Tigmanshu Dhulia  
  Dibaker Banerjee  
  Rajkumar Santoshi  
  Majid Majidi  
  Ritwik Ghatak  
  Clint Eastwood  
  Prakash Mehra  
  Manmohan Desai  
  Shoaib Mansoor  
  Anurag Kashyap  
  S. S. Rajamouli  
  B. R. Chopra  
  Stanley Kubrick  
  Also Active at  
  Gurmat Darshan.com  
  At Youtube.com  
  At Wordpress.com  
  At Facebook  
  At Twitter  
 April 2017 (14)
 March 2017 (11)
 February 2017 (9)
 January 2017 (12)
 December 2016 (12)
 November 2016 (11)
 October 2016 (15)
 September 2016 (10)
 August 2016 (12)
 July 2016 (12)
 June 2016 (16)
 May 2016 (14)
 April 2016 (17)
 March 2016 (10)
 February 2016 (10)
 January 2016 (9)
 December 2015 (11)
 November 2015 (10)
 October 2015 (10)
 September 2015 (11)
 August 2015 (12)
 July 2015 (15)
 June 2015 (10)
 May 2015 (15)
 April 2015 (16)
 March 2015 (12)
 February 2015 (10)
 January 2015 (14)
 December 2014 (11)
 November 2014 (10)
 October 2014 (10)
 September 2014 (12)
 August 2014 (12)
 July 2014 (21)
 June 2014 (23)
 May 2014 (24)
 April 2014 (23)
 March 2014 (21)
 February 2014 (26)
 January 2014 (28)
 December 2013 (10)
 November 2013 (14)
 October 2013 (16)
 September 2013 (14)
 August 2013 (14)
 July 2013 (12)
 June 2013 (11)
 May 2013 (23)
 April 2013 (10)
 March 2013 (14)
 February 2013 (14)
 January 2013 (15)
 December 2012 (18)
 November 2012 (14)
 October 2012 (15)
 September 2012 (14)
 August 2012 (15)
 July 2012 (12)
 June 2012 (14)
 May 2012 (16)
 April 2012 (15)
 March 2012 (10)
 February 2012 (11)
 January 2012 (11)
 December 2011 (10)
 November 2011 (11)
 October 2011 (15)
 September 2011 (10)
 August 2011 (11)
 July 2011 (11)
 June 2011 (13)
 May 2011 (16)
 April 2011 (14)
 March 2011 (11)
 February 2011 (10)
 January 2011 (12)
 December 2010 (10)
 November 2010 (12)
 October 2010 (11)
 September 2010 (11)
 August 2010 (12)
 July 2010 (12)
 June 2010 (11)
 May 2010 (14)
 April 2010 (15)
 March 2010 (14)
 February 2010 (12)
 January 2010 (15)
 December 2009 (12)
 November 2009 (14)
 October 2009 (15)
 September 2009 (18)
 August 2009 (14)
 July 2009 (16)
 June 2009 (18)
 May 2009 (16)
 April 2009 (18)
 March 2009 (20)
 February 2009 (19)
 January 2009 (20)
 December 2008 (20)
 November 2008 (17)
 October 2008 (21)
 September 2008 (19)
 August 2008 (22)
 July 2008 (23)
 June 2008 (21)
 May 2008 (25)
 April 2008 (22)
 March 2008 (25)
 February 2008 (22)
 January 2008 (22)
 December 2007 (24)
 November 2007 (22)
 October 2007 (22)
April 29, 2017 Saturday     
Bahubali-2It’s difficult to write an honest critique of a gigantic attempt like BAHUBALI as a writer/reviewer actually stands nowhere in comparison to the efforts put in by the entire talented team in front and behind the curtain. But then every filmmaker and his team always puts in best of their efforts irrespective of the magnitude or names and the final product needs to be reviewed in all honestly respecting the hard work done. So let me try to review this major trendsetting sequel to the best of my ability.
The most important contribution of BAHUBALI in our Indian Cinema.
You must have read and heard about technical achievements of the film, its scale, the marvelous frames, the explosive performances, the action and more. But I will like to begin by mentioning the most important achievement or contribution of this 2 part series to our Indian Cinema….. and that is to bring every single movie lover of the country at one platform, talking about one film alone irrespective of their region, origin or language.
So what a Hindi (Bollywood) film couldn't in decades (or rather century), has been done by our Indian Regional Language Cinema and that too in an incomparable style beyond comparisons.
Bringing back the euphoria I personally last witnessed in the early 90s
Where the original BAHUBALI successfully created a ground for a worthy sequel, BAHUBALI 2 actually made us witness an entirely different kind of mass euphoria which was completely missing since the early 90s, and was not seen in any of the three Khan’s movies too despite their maddening hypes.
The craze of advance booking, the long queues in front of the theater, the jam packed house in the early morning show starting around 9 and the excitement of knowing how it is actually took me back in time when we used to feel the same in the 80s and 90s. In fact the last time I experienced this kind of massive enthusiasm among the audience was while watching HUM in 1991 when the theater was packed with people much more than its actual capacity and they had to stop the film right in the beginning to throw the gatecrashers out (should write about it in details soon).
The experience of watching the sequel (prequel or conclusion).
An impact of a film mostly or rather entirely depends upon what were you expecting and what it actually delivers at the end of those 3 hours?
Thankfully BAHUBALI 2 largely delivers what it promises and you do get to see a larger than life cinema well equipped with inspiringly designed sets, powerful confronting sequences, jaw-dropping execution, high tension drama and light romance too in a well-balanced or structured film providing a visually stunning experience.
In India, we love our hero performing the impossible, moving towards the enemy in slow-motion and then hitting him hard saving the women creating an entertaining drama. Dipped in exactly similar dramatic sentiments, the sequel turns out to be winner giving you some light hearted moments too and this time we surprisingly also have a fresh story-plot (K. V. Vijayendra Prasad) which frankly was not there in the first part.
The film keeps you fairly engrossed and entertained in the first half and the intermission comes right after an explosive sequence between the royal brothers. The second half begins with another worth applauding sequence giving a severe shock and then you get all your questions answered about why did Kattappa kill Bahubali and more, without going into any illogical and weird zone deserving appreciation. So the film impressively works both as a prequel as well as a sequel till the flashback is over.
However from here onwards it begins sliding down unexpectedly with the final war sequence not upto the mark (hilariously insane at times), unable to provide that much required high as earlier experienced in the original. Still the action keeps you occupied (despite being long and repetitive) and you feel more or less satisfied watching the most awaited movie of the year successfully transporting you into its own world.
No doubt playing the lead Prabhas is simply electrifying along with an aggressive Rana, but BAHUBALI 2 honestly belongs to the two fiery women on screen playing their author-backed roles emerging as the actual winners. Anushka Shetty is just perfect and Ramya looks every bit of its character shining convincingly. Once again Sathyaraj appears to be rock solid in his performance as Kattapa, but I did find him a little over the top in the light humorous sequences along another decent actor playing Kumar. Tamannah is almost not there featuring in just few scenes and Nassar is as usual terrific in his ruthless, calculative avatar as the cunning mama.
Technical Department / Music
Needless to say BAHUBALI 2 has all breathtaking, larger-than-life frames (K. K. Senthil Kumar), magnificent production design (Sabu Cyril), stunning visual effects and an outstanding background score providing an effective support to its powerful cinematic movements. However the collective impact of these departments was much more striking and grand in the original, may be due to a better editing or may be because we were watching such visuals for the first time and here we expected them to take us to the next level fulfilling our raised expectations (more details in the drawbacks).
The soundtrack yet again fails to give us one or two melodious representative songs despite romance being there for a good one hour in the first half. Still thankfully the tracks remain decent and the energy is right there in the title song sung by Daler Mehndi.
The Best Scene (Spoiler Alert)
It has been years when I last jumped up from my seat in excitement, clapping like an innocent charged-up kid shouting “Yes” in a loud voice. Interestingly it last happened in Rajamouli’s films only namely MAGADHEERA and EEGA a couple of years back. And now it again happened in his latest film when Bahubali chopped off the head of the newly appointed Senapati guilty of misbehaving with the women. For many there would be other sequences too, but for me this was the best scene of film coming all of a sudden giving a highly enjoyable shock to the entire theater.
Honestly I found two major drawbacks in BAHUBALI 2 keeping its soundtrack and an over dosage of repetitive violence apart.
Firstly I felt the CGI work to be exceptional as well as mediocre at the same time. In some sequences they were just out of the world, but in a few they seem to be completely artificial taking away the crucial convincing power from those specific scenes. Many young friends would not have experienced or even heard about the fantasy fiction Hindi films based on Kingdoms and Kings made by the South filmmakers in the 80s. But I frankly felt like watching a SINGHASAN, HATIMTAI or PATAAL BHAIRAVI at times in the first half especially in the comic scenes revolving around the coward prince (Kumar).
Besides, none of the animated animals featuring in the film ever looked as believable as seen in the films coming from the west. Can’t say why there CGI works turn out to be so real and astonishing in comparison. The elephants, cows, bulls, pigs and more remain strictly okay filling up the requirement of the script, but never look like anything even close to reality hampering the overall impact. No doubt the extreme restrictions on animal-use in films deeply affect such ventures leaving them with no other option at all but compromising animation.
Secondly, the final hour of the film with the tiringly long battle sequence fails to pump up your blood as seen and experienced in the original film. Keeping in mind the first part and its unique and extraordinary presentation in the finale, one expected at least something equivalent if not better from the team calling it The Conclusion. But unfortunately the entire climax remains painfully stretched and uneven and never delivers what was expected right till the concluding scene. As a result, you walk out of the theater well entertained but not entirely satisfied with the much-hyped sequel due to its weak culmination.
Generating a (more or less) similar kind of impact after around 170 minutes, one neither can rate it better nor less effective than the first giving its deserving due. But no doubt the basic plot and story progression is much better in the sequel unarguably.
In other words where BAHUBALI majorly faltered in its first half but excelled in the second. The sequel pleasantly works in the first half but underperforms in the second.
Plus the CGI department is not able to create any similar amazing spectacle as we got to experience in the first part. In short I personally felt entertained but remained less awestruck in comparison to the original.
S.S. Rajamouli – The magician
As mentioned in my review of BAHUBALI in 2015 (with reference to MAGADHEERA and EEGA already included in BTC’s Movies To See Before You Die List), nobody was willing to give S. S. Rajamouli his much deserving status in Hindi Cinema even when Bollywood had already made two remakes of his films in Hindi and also bought the rights of another to be made at a grand scale. Thankfully the unprecedented success of BAHUBALI forced them to change their minds and attitude, since here only box office success is considered to be important (or decisive) much more than any gifted talent.
Anyway, the tables have turned now and hope this marks the beginning of a new era wherein an exceptional director like S. S. Rajamouli will now be quoted as an Indian film director, instead of a Telugu film director putting it bluntly.
Having said that, since Rajamouli is truly a blessed storyteller with a brilliant sense of scripting full of many timely sequences, I hope he doesn’t get lost in the world of animations, graphics and grandeur post BAHUBALI, and comes up with some fabulous human stories in his upcoming exciting ventures taking a break from graphics. Would love to hear what he has in mind for his next project.  

Summing up, BAHUBALI 1 & 2 together should ideally be an alarming eye-opener for both the Hindi filmmakers as well as their viewers, as its time they should come out of their own deceptive world called Bollywood.
Where the viewers need to accept that there is much superior cinema being made in the country in its regional languages, the big names need to realize that films can also work on non-holiday weekends with lesser known cast, solely winning over the box office with their strong content.
Moreover, its time Hindi film industry again starts giving respect, credit and freedom to its talented directors and stop using them as mere Yes-men holding the mike saying “Action and Cut”.
Ratings : 3.5 + 0.5 / 5 (with the additional 0.5 for uniting every movie lover of our country thinking and talking about only one film, which at least I haven’t seen in my life in the past four decades.)
BUT continuing my solo drive against the 'Shameless Increase in Ticket Prices'at the time of every big release, will deduct one star for this spineless act which is neither being addressed by anyone in the industry nor the government since last few years.
(Adding further to the thought, if the industry and multiplexes are too keen to raise the prices at the time of every big release like BAHUBALI, then they should also reduce the prices at the time of all small off-beat films like MUKTI BHAWAN, POORNA and more.
With a hope that Multiplex Mafia, Industry and Government together would soon look into the price issue and save the theater experience fast slipping away from the reach of the common man.
Tags : Bahubali 2 Movie Review, Bahubali 2 Film Review by Bobby Sing, S. S. Rajamouli, New Hindi Movies Reviews, New Hindi Movies Released, New Bollywood Reviews, Bobby Talks Cinema Review, Reviews By Bobby Sing, New Hindi Films Reviews at bobbytalkscinema.com, Indian sequels, Worth Watching Sequels
28 April 2017 / bobbysing /
leave a comment
NoorJust like the lead character of their script, both the writer and director of NOOR seem to be equally confused about what kind of film they wished to make or of what genre? And in case this is exactly the story of the book/novel the film is based upon (Saba Imtiaz's “Karachi, You're Killin Me”), then the same can be said about the author too, however I highly doubt the novel goes with an exactly similar kind of story progression as shown in the film.
To clear the major misconception, if you think that this is something about crime investigative journalism then would like to reveal that the film never talks about any real investigations at all except taking mobile interviews and putting them in news making scary revelations without searching for multiple solid proofs, witnesses or more victims of a serious crime/scam. Later it all falls back to becoming a celebrity journalist posting an expressive Facebook video that goes viral as if that is the only social reform we can possibly think of.
NOOR begins with a long spell of tiring 15 minutes of simple character introductions with a voice-over which honestly puts you in doubt about its basic vision. Nothing happens in terms of a plot in the next 30 minutes (focusing on romance and bed room scenes), and a story thankfully begins after almost 45-50 minutes into the film just before the intermission.
Strangely, instead of changing the gear, the director keeps following the same lazy story progression in the second half too and we don’t get to see any kind of thrilling investigations even after 100 minutes into the film in a weirdly funny manner. Moreover, when it all finally leads towards a socially relevant ending giving some kind of social message, director Sunhil Sippy decides to end the film with an upbeat pub-song featuring Diljit and Badshah dancing along Sonakshi, once again revealing his utterly confused vision resulting in nothing
Having a fine cinematography, okay background score but below average editing, NOOR’s music fails to make any emotional connect with the viewer and here we yet again get to see an energetic gem of the past (Gulabi Ankhen) brutally murdered with zero energy levels so pathetically.
Having said that, NOOR doesn’t give you much to complain in the acting department, as Sonakshi Sinha keeps trying her best playing a Bridget Jones kind of act, also reminding you of Konkana Sen Sharma of PAGE 3. Purab Kohli, Kanan Gill, Shibani Dandekar, M. K. Raina, Manish Chaudhari and Sunny Leone (in a cameo) remain effective in their given supporting roles but honestly Smita Tambe is the one who excels everyone else on the screen as the victim Maalti.
In short, a sloppy screenplay, uninspiring plot, lazy pace and a completely confused narration results in a poor film called NOOR that could have been an enjoyable light hearted thriller pointing towards the compromising journalism being taught and practiced in the present times.
No doubt the young journalists would easily relate to the lead character on screen facing the same puzzling issues as in their personal careers. However it still isn’t any film that can be recommended to be seen in a costly multiplex. So just wait for a couple of months and this will soon be there on a TV channel without asking for any extra effort or expenditure.
Rating : 1 + 1 / 5 (with the additional 1 just for the fine acts)
Tags : Noor Moview Review by Bobby Sing, Noor Movie Review by Bobby Sing, Movies based on books, Saba Imtiaz Novel, New Hindi Movies Reviews, New Hindi Movies Released, New Bollywood Reviews, Bobby Talks Cinema Review, Reviews By Bobby Sing, New Hindi Films Reviews at bobbytalkscinema.com
21 April 2017 / bobbysing /
leave a comment

NOOR - What a confused and lazy way to make a crime investigative thriller with neither the thrills nor any investigations ending on a weird note.

MAATR - A noble intentioned but quite weak revenge saga pointing towards a sickening social curse.... that was much impactfully presented in Raveena's JAAGO (2004).
(Detailed Reviews Coming Soon)
Tags : This Friday One Line Reviews by Bobby Sing, Noor Review, Maatr Review by Bobby Sing at bobbytalkscinema.com
21 April 2017 / bobbysing /
leave a comment
Reviews in All (929)

Inspired Hindi Movies
List (517)
Articles on Music,
Poetry & Life (97)
Did You Know! (88)
Few Life Inspiring Words! (23)
Nostalgia (Books on Cinema,Vintage Magazines, Scans & more) (28)
Page copy protected against web site content infringement by Copyscape
Google Analytics Alternative
The site is a collection of personal expressions of the writer to share his own views on different mediums of art, with no intention of hurting any person or organisation in particular. The site is also not responsible for any inappropriate acts practiced by the third party links added here only for information purposes.
   Visit bobbytalkscinema.com for Bollywood Movie Reviews, Inspired Cinema, Movies To See Before You Die, Amazing Bollywood Facts, Articles On Cinema, Music, Poetry & Life
Site Best View At 1024 X 768 Resolution & Above