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A warm welcome to all friends visiting the site with a loving invitation to read my personal expressions on movies, music, poetry and life.

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July 29, 2014 Tuesday     
KICK, the latest Eid release of Salman Khan is also the debut film of Sajid Nadiadwala as a director. And being an experienced & successful producer of many big films, he has indeed delivered a much better product in comparison of Salman’s few recent ventures undoubtedly. But as usual the film has its own set of inspirations along with some interesting tributes too visible in its various sequences given below:
1. Its an official remake of a Telugu film with the same title KICK released in 2009.
2. However its basic format of a Robin Hood taking money from the rich to be used for some better purposes of helping the poor and the deceased also reminds you of another south hit GENTLEMAN (Tamil - 1993) which was later remade in Hindi by Mahesh Bhatt with Chiranjeevi in 1994 as THE GENTLEMAN. But to give away the due credit it actually became more famous in that era due to A. R. Rahman’s innovative and catchy music which was an instant hit all over.
3. With many visible similarities in the plotline, KICK also has its own set of inspirations taken from both KRISSH and DHOOM series like the mask and the way Salman prepares for his big loots working with a digital setup.
4. In one of its early action sequences Salman fights exactly in the style of Amitabh Bachchan in Prakash Mehra’s SHARAABI released in 1984. And I am really interested to know that whether it was unintentional or Sajid actually wished to pay a tribute to the master film-maker in his first venture
Divya Bharti5. As an appreciable gesture in one of the comic pub scenes of the film, Salman dances to the tune of “Party All Night” from Akshay Kumar’s BOSS whereas he could have easily taken any of his own hit party songs from the recent ventures. And that surely creates some good vibes in this otherwise competitive stream of business indeed.
6. Lastly and most importantly, KICK features a long sequence playing “Saat Samunder Paar Main Tere Peechhey Peechhey Aa Gayi” from VISHWATAMA (1992) which had Divya Bharti as one of its lead heroines dancing to the tune of Viju Shah. The young girl got married to Sajid Nadiadwala in 1992 but just after a year died in a shocking accident (falling from a high rise building) at the innocent age of only 19 years in 1993. The beautiful actress is still remembered by all her fans with this famous VISHWATAMA track in particular and that seems to be a perfect tribute given by a loving husband to his wife in his first ever film as a director.
Cheers!
Tags : KICK (2014), Its tributes and inspirations. Articles on Inspired Cinema by Bobby Sing at bobbytalkscinema.com, Official remake of Tamil Films, Inspired Cinema, Copied Cinema, Tribute given by Sajid Nadiadwala in KICK.
 
 
27 July 2014 / bobbysing /
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The latest offering from director Wes Anderson, who is known for his own style of presenting a magical make-believe world on the screen, this is a fine example of an imaginative art of storytelling taking you into a different world of the past quite impressively. Narrating the story of a vintage hotel, the film has glimpses of more than one genres including illegitimate affairs, crime, love, murder, theft, jail-break, mystery, chases and much more. But in spite of that it never puzzles you due to an absorbing treatment of an interesting concept and some brilliant performances by a rare cast ensemble with many reputed names.
Set in different time zones of the twentieth century, it is mostly narrated in flashback and tells us about the life a young ‘Lobby boy’ and his experiences with his boss, Mosieur Gustave. The lobby boy known as Zero is now the owner of The Grand Budapest and the film is all about his journey from joining the hotel to the present status of a sad, lonely man owning the mansion and much more. In the story told of the past, as one of richest regular visitors of the hotel suddenly dies, she leaves a precious antique painting for Gustave to be her parting gift in the will and that’s from where the whole saga of crime and deceit begins involving the young Zero.
The film unfolds like an exciting fast paced tale in a bedtime storybook of the young ones and presents many charming cameos of prominent names such as Jude Law, Bill Murray, Owen Wilson, Harvey Keitel, Jeff Goldblum, Saoirse Ronan, Edward Norton, Tom Wilkinson, Mathieu Amalric, Adrien Brody, Willem Dafoe and more. Along with the lead roles played by Ralph Fiennes & F Murray Abraham with a splendid portrayal of the young zero by Willem Dafoe.
A kind of wacky comedy, it also subtly showcases the war scenario of those times & three different eras of century through some smartly written witty dialogues, an excellent background score, well detailed art direction and a worth experiencing cinematography (particularly the snow chase sequence at the mountains) which preferably needs to be seen at the big screen. The storyline also has a refreshing emotional angle between its leading male characters and then has a few surprising insertions too like a turbaned Sikh participating in a sequence happening in the Eastern Europe region of the 1930s.
But at the same time, THE GRAND BUDAPEST HOTEL doesn’t offer any great energetic crescendo and is also not for the ones watching Hollywood Cinema mainly for their mainstream well promoted films releasing worldwide. This is for the niche audiences who are more into the offbeat movies and can easily relate to this eccentric kind of story-telling not interested in giving any kind of simulated high through an overdose of computer graphics or some loud treatment. So if you love watching this specific genre then you are sure going to enjoy The GRAND BUDAPEST HOTEL……. largely.
Rating : 3.5 / 5
Tags : The Grand Budapest Hotel Review by Bobby Sing, Bobby Talks Cinema Review, Reviews By Bobby Sing, New English Films Reviews By Bobby Sing, Hollywood New Releases Reviews at bobbytalkscinema.com
 
 
26 July 2014 / bobbysing /
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KickBefore KICK’s mega release once again planned close to Eid, the buzz was quite less due to the unfavourable content of Salman’s recent films, the songs were not able to make an instant connect and the promos largely became impressive only due to few exceptionally written dialogues & two unconventional names in the cast i.e. of Randeep Hooda and Nawazuddin Siddiqui in all reality. So many (both among the viewers as well as the critics) were all set to ridicule another Salman movie finding its visible loopholes justifying their individual preset notions without any doubt. But fortunately where the film does come up with its usual shortcomings as expected, it still remains one of the better attempts of the star since his DABANGG in 2010.
So first addressing the people interested in slamming it down due to its avoidable minuses, yes the film defies all logics as always seen in a typical Hindi film aiming at entertaining its larger section of viewers, ignoring the others. It doesn’t offer any fresh or unpredictable storyline taking the easy path. Has a longer length with few unwanted scenes and mediocre songs thrown in uselessly hindering its otherwise likable progression. Takes too long to come to its actual story plot. Has few close resemblances to films like KRISHH and DHOOM, whereas is yet another remake of a South hit with the same title KICK (Telugu) released in 2009. And needless to say has Salman Khan in almost every frame of the film right till its last minute as desired by his die-hard fans who have fondly given him the title of BHAI.
But having said that, KICK still cannot be rated as anything bad or ridiculous despite having all the above mentioned hiccups in its around 145 minutes of duration. And the reason behind this contradiction is that the film does have a breezy entertaining feel maintained till its impressive climax, has few enjoyable sequences coming in at regular intervals performed well by all the known faces and it holds you on firmly through some superbly written dialogues by Rajat Aroraa.
To give you a fair idea, KICK has no cheap sequences, objectionable lines or cheeky avoidable humour as seen in many of Salman’s recent films including JAI HO. It doesn’t drag after a while and keeps progressing at a brisk pace, though having all those unwanted songs and sequences adding to its extra length. It doesn’t go into that silly & boring ‘Love Angle’ mode as the latest sequels of KRRISH and DHOOM do. Keeps the much needed fun element intact even till its finale leaving you with all positive vibes. And more importantly this is one of those rare films where Salman Khan doesn’t take off his shirt in any of his last minute fights breaking his own set norm religiously followed in the last few years.
Besides where Salman successfully manages to keep you hooked in the first half along with Randeep Hooda & Jacquelin, there Nawazzudin Siddiqui comes in to provide his big noteworthy support post intermission keeping the energy going. And saying the bitter truth, both Randeep and Nawazuddin frankly can be called the second source of oxygen to this latest Salman Khan movie made on a weak premise. In addition, KICK also gets some valuable strength from its entertaining supporting acts led by Sanjay Mishra in his only scene at the Police Station, Mithun Chakraborty as the spirited father, Saurabh Shukla as the girl’s pa, Archana Puransingh in her one scene playing the loud mother, Kavin Dave-Sumona in the film’s opening chase sequence and Vipin Sharma as the enjoyable, annoyed minister towards the end.
Plus two other thankful saviors of KICK are that this time the lead actress doesn’t tease you at all due to her calm & pleasing appearance (though her diction still needs to be worked upon) and the lead actor i.e. Salman doesn’t look like an arrogant, over confident star performing the role at his own will, ignoring any specific demand of his actual character written in the script. In other words KICK has the Salman Khan we saw in WANTED & DABANGG, but not the one witnessed in READY, BODYGUARD, EK THA TIGER or DABANGG 2 to be precise.
Moreover it’s the unexpectedly surprising debut achievement by the director-producer Sajid Nadiadwala which simply makes you think that why Sajid didn’t opt for direction in all these years for any of Salman’s film, since he has actually managed to deliver a much better product than many renowned directors of the industry, unarguably. Anyway a good start has been made with a bang and I hope he will give us much better films in the future which would ideally be based on some original scripts and not just be the routine remakes of the south following the easier path. Interestingly one fight sequence in its first half has been straight away taken from Prakash Mehra - Amitabh Bachchan’s SHARAABI released in 1984. And I would really like to know that whether it was unintentional or Sajid actually wished to pay a tribute to the master film-maker in his very first venture.
Coming back to KICK, cinematography & action gives an international look to the film, especially post intermission in its actions sequences and background score keeps the tempo high as required. Sadly the soundtrack remains the weakest link of the film once again and one or two catchy hit songs could have easily taken the project to another level altogether. Here the point to be noted is that the original Telugu movie does have few melodious upbeat tracks composed well. So I wonder why they didn’t go for the official rights of those songs only, following the ROWDY RATHORE route playing it safe.
Now apart from the commercial aspect of the project, the one thing I would personally like to appreciate here is that since his last two attempts, Salman is trying to give a social message through his films fulfilling his moral responsibility towards the people being their loving celebrity. Unfortunately he failed to give that message in any impressive manner in JAI HO but has once again tried to do the same in KICK. And I hope this time the message reaches the maximum, encouraging them all to find their individual KICK of life……… before the time is over.
Summing up, I would like to rate KICK as a much better movie than KRRISH 3, DHOOM 3 or even EK THA TIGER in terms of entertainment. So Salman is definitely here to get a bigger Iddi this festive season along with Randeep and Nawazuddin loudly claiming their respective shares too. 
Rating : 3 / 5 (With a special mention of both Randeep Hooda & Nawazuddin Siddiqui)
Tags : Kick Review By Bobby Sing, KICK Film Review By Bobby Sing, Bobby Sing Bollywood Reviews, New Bollywood Movies Reviews, New Bollywood Movies Released, New Hindi Films Reviews, New Hindi Movies Reviews, New Hindi Movies Released, New Bollywood Reviews, Bobby Talks Cinema Review, Reviews By Bobby Sing, New Hindi Films Reviews at bobbytalkscinema.com, Inspired Movies, Copied movies, Official Remake of Telugu KICK.
 
 
25 July 2014 / bobbysing /
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